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Visual Redress in Africa from Indigenous and New Materialist Perspectives

Elmarie Costandius (Stellenbosch University, South Africa) Gera de Villiers (Stellenbosch University, South Africa)

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English
Routledge
19 December 2024
Through an indigenous and new materialist thinking approach, this book discusses various examples in Africa where colonial public art, statues, signs and buildings were removed or changed after countries’ independence.

An African perspective on these processes will bring new understandings and assist in finding ways to address issues in other countries and continents. These often-unresolved issues attract much attention, but finding ways of working through them requires a deeper and broader approach. Contributors propose an African indigenous knowledge perspective in relation to new materialism as alternative approaches to engage with visual redress and decolonisation of spaces in an African context. Authors such as Frantz Fanon, Ngugi Wa Thiong’o and George Dei will be referred to regarding indigenous knowledge, decolonialisation and Africanisation, and Karen Barad, Donna Haraway and Rosi Braidotti regarding new materialism.

The book will be of interest to scholars working in art history, visual culture, heritage studies, African studies and architecture.
Edited by:   , ,
Imprint:   Routledge
Country of Publication:   United Kingdom
Dimensions:   Height: 246mm,  Width: 174mm, 
Weight:   453g
ISBN:   9781032368542
ISBN 10:   1032368543
Series:   Routledge Research in Art and Politics
Pages:   254
Publication Date:  
Audience:   College/higher education ,  Primary
Format:   Paperback
Publisher's Status:   Active

Elmarie Costandius is Associate Professor in the Visual Arts Department at Stellenbosch University, South Africa. Gera de Villiers is Postdoctoral Fellow for Visual Redress at Stellenbosch University, South Africa.

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