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Multitudes

How Crowds Made the Modern World

Dan Hancox

$42.99

Hardback

Forthcoming
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English
Verso
01 February 2025
Modern history is the history of the crowd. But why are we so frightened of what happens when we come together? Philosophers, politicians and psychologist pronounce that they are dangerous and need to be controlled. In contrast, Hancox argues that they are the harbinger of and a force for change, the bringer of joy and conviviality.

In the 1870s, following the Paris Commune, Gustave Le Bon was the first to claim that the crowd was a dangerous animal that consumed individuals. Since then his thinking has influenced city building, policing, criminology and politics. From scenes of the Nuremburg Rally to the January 6 insurrection on the Capitol, the contagion of mob violence is palpable. They can be dangerous. But the crowd can also be a place of liberation, passion, collective joy. The politicians are so afraid of what happens that they will do whatever they can to keep us apart.

In Multitudes, Dan Hancox celebrates the history of the crowd.

The crowd is the human embodiment of democracy. It is a testament to the incredible things that happen when we gather with strangers in pursuit of a common goal - whether that is to throw a rave, or overthrow a dictator. We will see how crowds have the power to change history, and how joining crowds changes us for the better, too.
By:  
Imprint:   Verso
Country of Publication:   United Kingdom
Dimensions:   Height: 234mm,  Width: 153mm, 
Weight:   350g
ISBN:   9781804294482
ISBN 10:   1804294489
Pages:   272
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Forthcoming
Preface: El Carnaval de Cádiz Introduction: The Age of the Crowd 1. Paris Is Burning: Revolutionary Crowds 2. The Nuremberg Spectacle: Authoritarian Crowds 3. 'Feral Thugs': Protest and Riot Crowds 4. Among the Slum People: Football Crowds 5. The World Turned Upside Down: Carnival Crowds 6. The Invention of Modern Life: Urban Crowds 7. Myths and Scapegoats: Fatal Crowds Conclusion: There to Be a Crowd Acknowledgements Notes Index

Dan Hancox is a native Londoner who writes about music, politics, gentrification, social exclusion, protest and the margins of urban life, chiefly for the Guardian, but also the New York Times, Vice, The Fader, Dazed & Confused and XXL.

Reviews for Multitudes: How Crowds Made the Modern World

"Multitudes will make you question everything you thought you knew about crowds, even the ones you've been a part of. Hancox delivers a compelling case for understanding crowds as an essential force in modern history and as a powerful way of connecting to our shared humanity' -- Leslie Kern, author of <i>Feminist City</i> Hancox provides, in lucid and passionate prose, a compelling account of the new psychology of crowds. He shows an impressive command of the technical literature, the historical record and contemporary events, resulting in a broadside against the reflex condemnation of crowds that we hear so often in the mouths of politicians and journalists. He has thereby produced a book of great value that will be hard to refute or ignore. Read this book. And, when you have finished, you will never use the word 'mob' again.' -- Stephen Reicher, professor of psychology, University of St Andrews Shaking us out of the pandemic's dogmatic social distancing, Dan Hancock inspires us to seek again a vital source of strength and creativity -- the joy of crowds -- Jodi Dean, author of <i>Crowds and Party</i> Joining crowds brings us joy, spontaneity, new connections, they're empowering and they represent democracy in their purest form - no wonder they are always demonised by those in power. Hancox's energetic reporting and deep dive into the history of crowd behaviour, helps us see them in a completely new light. -- Josie Long, comedian A brilliant eulogy to the power and joy of the human throng. Hancox not only grasps the logic of crowds, but evokes their feeling with sparkling prose -- William Davies, author of <i>This is Not Normal</i> A compelling reappraisal of the history and politics of crowds, which teases out the political project behind the spectre of the ""angry mob"". Based on meticulous and enthusiastic research, it is an engaging - and unexpectedly touching - analysis of the lure of the crowd today -- Charlotte Lydia Riley, author of Imperial Island An examination of the rich history of crowds in entertainment, sports, and politics. * Kirkus Reviews *"


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