Chase Joynt is a director and writer whose films have won more than twenty-five jury and audience awards internationally. His latest documentary feature, Framing Agnes, premiered at the Sundance Film Festival, where it won the NEXT Innovator Award and the NEXT Audience Award. Joynt is the author of the Lambda Literary Award finalist You Only Live Twice (co-authored with Mike Hoolboom) and Boys Don't Cry (co-authored with Morgan M. Page).
""Joynt delivers an original meditation on trauma and transitioning. Drawing on the media theorist Marshall McLuhan's writings to reflect on surviving childhood sexual abuse, Joynt juxtaposes episodes from his life with McLuhan's insights, creating meaning through literary montage ... Enigmatic yet evocative, this demands to be read on its own terms."" --Publishers Weekly ""Vantage Points defies genre conventions. It is a meta-reckoning with the work of famed Canadian philosopher Marshall McLuhan, whose edict 'the medium is the message' Joynt prods, ponders, and explodes to exciting effect throughout. The work also serves as an arresting family memoir about the long tail of childhood trauma. It presents itself as an exciting formal experiment while offering a moving reckoning of normative masculinity with a trans lens."" --Thomas McBee, for BOMB ""An effective experiment in form, and a moving exploration of how context colours interpretation--and how both affect the nature of truth."" --The Walrus (""Best Books of Fall 2024"") ""Vantage Points is a stunning work that offers new ideas, compassion, and hope for a kinder, egalitarian future that may let us all heal, breathe, and truly be."" --Elliot Page, author of Pageboy: A Memoir ""Genre and form defying, Vantage Points is a remarkably subversive book by one of our generation's most brilliant trans media-makers. At once a vigorous intellectual engagement with the work of Canadian philosopher Marshall McLuhan, a lyrical family counter-history, a formal experiment, and a powerful reckoning with inherited trauma, violence, and (relatedly) normative masculinity, Vantage Points is an absolutely unprecedented non-fiction project that's as inventive as it is deeply moving. I loved this book."" --Thomas Page McBee, author of Amateur and Man Alive ""I'm not sure anyone has ever encountered a media theory as moving as this. Vantage Points realizes the profound possibility of media theory to operate itself like a technology and mechanism of survival."" --Sarah Sharma, co-editor of Re-Understanding Media: Feminist Extensions of Marshall McLuhan