Stanislavsky in the World: The System and its Transformations Across Continents

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Jonathan Pitches (University of Leeds, UK) Dr Stefan Aquilina (University of Malta, Malta)

Stanislavsky in the World

The System and its Transformations Across Continents

Jonathan Pitches (University of Leeds, UK), Dr Stefan Aquilina (University of Malta, Malta)

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English

Methuen (UK)
18 May 2017

Theatre Studies; Theatre: individual actors & directors

Stanislavsky in the World is an ambitious and ground-breaking work charting a fascinating story of the global dissemination and transformation of Stanislavsky’s practices.

Case studies written by local experts, historians and practitioners are brought together to introduce the reader to new routes of Stanislavskian transmission across the continents of Europe, Asia, Africa, Australasia and South (Latin) America. Such a diverse set of stories moves radically beyond linear understandings of transmission to embrace questions of transformation, translation, hybridisation, appropriation and resistance.

This important work not only makes a significant contribution to Stanislavsky studies but also to recent research on theatre and interculturalism, theatre and globalisation, theatre and (post)colonialism and to the wider critical turn in performer training historiographies.

This is a unique examination of Stanislavsky’s work presenting a richly diverse range of examples and an international perspective on Stanislavsky’s impact that has never been attempted before.

Edited by: Jonathan Pitches (University of Leeds UK), Dr Stefan Aquilina (University of Malta, Malta)
Imprint: Methuen (UK)
Country of Publication: United Kingdom
Dimensions: Height: 234mm, Width: 156mm, Spine: 25mm
Weight: 723g
ISBN: 9781472587886
ISBN 10: 147258788X
Pages: 480
Publication Date: 18 May 2017
Audience: Professional and scholarly , College/higher education , Undergraduate , Primary
Format: Paperback
Publisher's Status: Active

Jonathan Pitches is Professor of Theatre and Performance at the University of Leeds in the School of Performance and Cultural Industries. He specialises in the study of performer training and has wider interests in intercultural performance, environmental performance and blended learning. He is founding co-editor of the journal of Theatre, Dance and Performance Training and has published several books in this area: Vsevolod Meyerhold (2003), Science and the Stanislavsky Tradition of Acting (2006/9) Russians in Britain (2012) and Stanislavsky in the World (with Dr Stefan Aquilina 2017). He is currently working on two new book projects, Great Stage Directors Vol 3: Komisarjevsky, Copeau, Guthrie (2017) and Performing Landscapes: Mountains (2018), supported by the AHRC. Stefan Aquilina is a lecturer within the Theatre Studies Department of the School of Performing Arts (University of Malta). His main area of research is Russian and early Soviet theatre, especially the work of Stanislavsky and Meyerhold. This particular research interest is developed through the application of critical theories on 'everyday life'. Aquilina also runs a research project called 'Performance Lineage: the Russian Tradition of Actor Training' through a grant offered by the University of Malta.