Slaves to Fashion

Black Dandyism and the Styling of Black Diasporic Identity

Monica L. Miller

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English

Duke University Press
08 October 2009

Society & Social Sciences; Fashion & society; Black & Asian studies

Slaves to Fashion is a pioneering cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art worlds of London and New York. It is populated by sartorial impresarios such as Julius Soubise, a freed slave who sometimes wore diamond-buckled, red-heeled shoes as he circulated through the social scene of eighteenth-century London, and Yinka Shonibare, a prominent Afro-British artist who not only styles himself as a fop but also creates ironic commentaries on black dandyism in his work. Interpreting performances and representations of black dandyism in particular cultural settings and literary and visual texts, Monica L. Miller emphasizes the importance of sartorial style to black identity formation in the Atlantic diaspora.

Dandyism was initially imposed on black men in eighteenth-century England, as the Atlantic slave trade and an emerging culture of conspicuous consumption generated a vogue in dandified black servants. ""Luxury slaves"" tweaked and reworked their uniforms, and were soon known for their sartorial novelty and sometimes flamboyant personalities. Tracing the history of the black dandy forward to contemporary celebrity incarnations such as Andre 3000 and Sean Combs, Miller explains how black people became arbiters of style and how they have historically used the dandy's signature tools-clothing, gesture, and wit-to break down limiting identity markers and propose new ways of fashioning political and social possibility in the black Atlantic world. With an aplomb worthy of her iconographic subject, she considers the black dandy in relation to nineteenth-century American literature and drama, W. E. B. Du Bois's reflections on black masculinity and cultural nationalism, the modernist aesthetics of the Harlem Renaissance, and representations of black cosmopolitanism in contemporary visual art.

By: Monica L. Miller
Imprint: Duke University Press
Country of Publication: United States
Dimensions: Height: 235mm, Width: 156mm, Spine: 28mm
Weight: 567g
ISBN: 9780822346036
ISBN 10: 0822346036
Pages: 408
Publication Date: 08 October 2009
Audience: College/higher education , Further / Higher Education
Format: Paperback
Publisher's Status: Active

Monica L. Miller is Assistant Professor of English at Barnard College.

Reviews for Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity

Clothes make the man and other intergendered subjectivities in this stimulating study of the social meaning of fashion in the black community. Barnard English professor Miller surveys the history of sartorial style and flamboyance among black dandies and the cultural responses, both fascinated and alarmed, they have provoked. She paints a broad and teeming panorama...she offers an incisive, nuanced analysis of a rich vein of cultural history. Publisher's Weekly 3rd Aug 2009 Monica L. Miller's close readings dazzle, and her historical reach--confident and unforced--is as long as the transnational arc of black dandyism here is wide. Arresting, discerning, responsible, and urgent, Slaves to Fashion is path-breaking. Literary criticism, visual history, and black Atlantic studies never looked so good. --Maurice O. Wallace, author of Constructing the Black Masculine: Identity and Ideality in African American Men's Literature and Culture, 1775-1995 Revising and augmenting scholarship on minstrelsy, literary representations of blackness, and black sartorial aesthetics and visual culture, Slaves to Fashion is an impressive and meticulously researched treatise on the history of the black dandy. It fills a gap in the scholarship on the cultural politics of black self-fashioning. --E. Patrick Johnson, author of Appropriating Blackness: Performance and the Politics of Authenticity