This book investigates theories and practices shaped by a performance’s relationship to the archive. The contributions in the volume examine how the changing nature of performance practices has made it imperative to understand how the archive and archival practices could add to the performance work. They explore a variety of themes, including artistic engagement with the archive in both conceptual and material terms; physical, virtual and digital forms; publicly and privately collected; oral, written and digital ways; or organized and unorganized collections. Finally, the volume examines how archives are modelled on existing structure and the ways in which they can be brought into discourses and practices of performance making through engagement and contestation.
A novel approach to performance theory, this volume will be of great interest to scholars and researchers of performance studies, media and culture studies, studies of technology and art as also literature and literary criticism.
Edited by:
Ashutosh Potdar,
Sharmistha Saha
Imprint: Routledge India
Country of Publication: United Kingdom
Dimensions:
Height: 234mm,
Width: 156mm,
Weight: 453g
ISBN: 9781032340913
ISBN 10: 1032340916
Pages: 340
Publication Date: 27 May 2024
Audience:
College/higher education
,
Primary
Format: Paperback
Publisher's Status: Active
List of Figures Notes on Contributors Foreword: Performance, Memory and Absence SUNDAR SARUKKAI Introduction ASHUTOSH POTDAR AND SHARMISTHA SAHA PART I Concepts, Histories and Performances 1 Archive and Performance; Madness and Revolution: On Marat, Sade and Theroigne de Mericourt SOUMYABRATA CHOUDHURY 2 Interpreting Material ASHUTOSH POTDAR 3 Performance, Its Archive and Historicity: Notes on Intercultural Critique SHARMISTHA SAHA 4 Invisible Histories: Tracing Displacement, Bondage and Resistance through Adivasi Songs and Performance Practices in Wayanad DEVIKA N. MENON 5 Materializing Site NELA MILIC 6 From Oblivion to Acceptance: Sadir Dancer Muthukannammal’s Presence as a Challenge to Representations A. P. RAJARAM 7 Archiving for New Emerging Disciplines SAMIK BANDYOPADHYAY PART II Dramaturgical Shaping and Re-shaping 8 The Dramaturgy of the Archive: An Interview FREDDIE ROKEM 9 Rehearsing the Witness: The Bhawal Court Case ZULEIKHA ALLANA 10 Documentary Theatre and My Performance Practice ANUJA GHOSALKAR 11 Archiving Tamasha and Lavani through Performance SHARVARI SASTRY AND SAVITRI MEDHATUL 12 Narratives of Existence: Witnessing Lived and Imagined Realities HINA SIDDIQUI PART III Design and Directorial Methods of Creation 13 C’est la CEPT: Archiving the Archive ISHITA JAIN, HARSH BHAVSAR AND GAVIN KEENEY 14 Inside Out ARAM LEE, ANAIS BORIE AND OTTONIE VON ROEDER 15 When I Performed as a Worker as an Artist AMITESH GROVER 16 On Aaydaan SUSHAMA DESHPANDE 17 Conversation with Sunil Shanbag SUNIL SHANBAG PART IV Many Methods, Multiple Archives 18 Archiving Performing Arts in India: An Overview SHUBHA CHAUDHURI 19 Filming the River: Notes and Thoughts from The Chronic Life Film Edition CHIARA CRUPI 20 No Context: Curatorial Writing, Contemporary Dance and the Archive VICTORIA MOHR-BLAKENEY 21 30 Minutes about Mumbai’s Theatre History RAMU RAMANATHAN Index
Ashutosh Potdar is a scholar and creative writer writing in Marathi and English. He is Associate Professor at FLAME University, Pune, India. Sharmistha Saha is a theatre practitioner and researcher based in Mumbai. She is Assistant Professor at the Indian Institute of Technology Bombay, Mumbai, India.
