Willard Bohn is Distinguished Professor Emeritus at Illinois State University, USA. He is the author of over 130 articles and 20 books on the early avant-garde, Cubism, Dada, Surrealism, Italian Futurism, and visual poetry, including The Early Avant-Garde in Twentieth-Century Literature and Art (2018) and Surrealist Poetry: An Anthology (edited, translated, and critical introduction, Bloomsbury, 2017).
One Hundred Years of Surrealist Poetry is at once an anthology and a beautifully accessible handbook, providing guidance, insights and information on essential aspects of surrealist theory and practise. From automatic writing and objective chance to mad love and black humour, the topics explored are exemplified by astonishing poems and oneiric prose from French, Hispanic and Portuguese writers, all translated by Willard Bohn with characteristic flair and empathy. * Peter Read, Professor Emeritus of Modern French Literature and Visual Arts, University of Kent, UK and author of Picasso and Apollinaire The Persistence of Memory (2008) * With his characteristic clarity, as well as formidable aesthetic and linguistic breadth, Bohn has produced a major work for serious students and scholars of Surrealism. Using important examples from many different cultural and theoretical sources, he offers new, wide-ranging perspectives on the origins and later history of the movement throughout the world. He also presents close readings of several key texts, many of which incorporate, and often surpass, analyses published by some of the most influential critics (Riffaterre, Bonnet, Balakian, Jenny, Caws, Murat ) who have worked on these often mysterious, enigmatic works. I highly recommend it, therefore, to anyone working in comparative literature, art history, even film studies, thanks to his explanations of surrealist images in a variety of art forms. * Stamos Metzidakis, Professor Emeritus of French and Comparative Literature, Washington University in Saint Louis, USA *