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Selected Poems

Langston Hughes

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English
Serpents Tail
02 February 2021
With a new introduction by the multi-prizewinning young poet Kayo Chingonyi.

For over forty years, until his death in 1967, Langston Hughes captured in his poetry the lives of black people in the USA. This edition is Hughes's own selection of his work, and was first published in 1959. It includes all of his best known poems including 'The Negro Speaks of Rivers', 'The Weary Blues', 'Song for Billie Holiday', 'Black Maria', 'Magnolia Flowers', 'Lunch in a Jim Crow Car' and 'Montage of a Dream Deferred'.

A key figure in the Harlem Renaissance, Langston Hughes is now seen as one of the great chroniclers of black American experience - and one of the great artists of the twentieth century.
By:  
Imprint:   Serpents Tail
Country of Publication:   United Kingdom
Edition:   Main - Classic Edition
Dimensions:   Height: 196mm,  Width: 128mm,  Spine: 24mm
Weight:   252g
ISBN:   9781788164511
ISBN 10:   1788164512
Pages:   320
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Langston Hughes was born in Joplin, Missouri, in 1902. After graduation from high school, he spent a year in Mexico with his father, then moved to New York City, where he studied for a year at Columbia and made his career. His first published poem in a nationally known magazine was 'The Negro Speaks of Rivers', which appeared in Crisis in 1921. He became a leading light in the Harlem Renaissance of the 1920s and 1930s. In 1925, Hughes was awarded the First Prize for Poetry by Opportunity, for his poem 'The Weary Blues' which gave its title to his first collection of poems, published in 1926. He wrote poetry, short stories, song lyrics, essays, humour and plays and an autobiography, The Big Sea.

Reviews for Selected Poems

Langston Hughes, for me, was always the poet of the people. -- Claudia Rankine The poet laureate of Harlem and the Harlem Renaissance -- Lemn Sissay * Guardian * Every time I read Langston Hughes I am amazed ... Hughes, in his sermons, blues and prayers, has working for him the power and the beat of Negro speech and Negro music. -- James Baldwin


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