Drawing on perspectives from music psychology, cognitive neuroscience, philosophy, musicology, clinical psychology, and music education, Music and Mental Imagery provides a critical overview of cutting-edge research on the various types of mental imagery associated with music. The four main parts cover an introduction to the different types of mental imagery associated with music such as auditory/musical, visual, kinaesthetic, and multimodal mental imagery; a critical assessment of established and novel ways to measure mental imagery in various musical contexts; coverage of different states of consciousness, all of which are relevant for, and often associated with, mental imagery in music, and a critical overview of applications of mental imagery in health, educational, and performance settings.
By both critically reviewing up-to-date scientific research and offering new empirical results, this book provides a unique overview of the different types and origins of mental imagery in musical contexts, various ways to measure them, and intriguing insights into related mental phenomena such as mind-wandering and synaesthesia. This will be of particular interest for scholars and researchers of music psychology and music education. It will also be useful for practitioners working with music in applied health and educational contexts.
Edited by:
Mats B. Küssner,
Liila Taruffi,
Georgia A. Floridou
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions:
Height: 234mm,
Width: 156mm,
Weight: 590g
ISBN: 9781032376073
ISBN 10: 1032376074
Series: SEMPRE Studies in The Psychology of Music
Pages: 294
Publication Date: 27 May 2024
Audience:
College/higher education
,
Professional and scholarly
,
Primary
,
Undergraduate
Format: Paperback
Publisher's Status: Active
"Foreword by Andrea R. Halpern Introduction and Overview Mats B. Küssner, Liila Taruffi, and Georgia A. Floridou PART I: Modalities of Mental Imagery The Chronicles of Musical Imagery as it Occurs Before, During, and After Music Georgia A. Floridou Visual Mental Imagery, Music, and Emotion: From Academic Discourse to Clinical Applications Liila Taruffi and Mats B. Küssner Intermittent Motor Control in Volitional Musical Imagery Rolf Inge Godøy Kinaesthetic Musical Imagery Underlying Music Cognition Jin Hyun Kim Music and Multimodal Mental Imagery Bence Nanay PART II: Measurement Music-Evoked Imagery and Imagery for Music: Subjective and Behavioural Measures Rebecca W. Gelding, Robina A. Day, and William Forde Thompson Self-Report Measures in the Study of Musical Imagery Timothy L. Hubbard Neuroscience Measures of Music and Mental Imagery Amy M. Belfi Deep Neural Networks and Auditory Imagery André Ofner and Sebastian Stober Musical Imagery from a Cross-Cultural Methodological Perspective George Athanasopoulos PART III: Mental Imagery and Related States of Consciousness Mental Imagery in Music-Evoked Autobiographical Memories Kelly Jakubowski What is Mind-Wandering? Mahiko Konishi Distraction or Panic? Anthony Gritten Musical Daydreaming and Kinds of Consciousness Ruth Herbert Sound-Colour Synaesthesia and Music-Induced Visual Mental Imagery: Two Sides of the Same Coin? Mats B. Küssner and Konstantina Orlandatou Music-Evoked Imagery in an Absorbed State of Mind: A Bayesian Network Approach Thijs Vroegh Recumbent Journeys Into Sound – Music, Imagery, and Altering States of Consciousness Jörg Fachner Part IV: Applied Mental Imagery Imagery and Movement in Music-Based Rehabilitation and Music Pedagogy Rebecca S. Schaefer Applied Mental Imagery and Music Performance Anxiety Katherine K. Finch and Jonathan M. Oakman In Search of a Story: Guided Imagery and Music Therapy Helena Dukić The Image Behind the Sound: Visual Imagery in Music Performance Graziana Presicce Multimodal Perception in Selected Visually Impaired Pianists: Towards A Conceptual Framework Anri Herbst and Silvia van Zyl ""Don’t Sing it With the Face of a Dead Fish!"" Can Verbalised Imagery Stimulate a Vocal Response in Choral Rehearsals? Mary T. Black Part V: Outlook Future Perspectives and Challenges Tuomas Eerola"
Mats B. Küssner is Lecturer in the Department of Musicology and Media Studies at Humboldt-Universität zu Berlin and Visiting Research Fellow in the Department of Psychology at Goldsmiths, University of London. Liila Taruffi is Lecturer in Music Psychology at Durham University, UK. She has an interdisciplinary background in psychology, neuroscience, and aesthetics. Georgia A. Floridou is a psychologist, researcher, and educator operating at the intersection of music, psychology, and neuroscience. She is Honorary Research Fellow in the Department of Music at the University of Sheffield, UK.
