Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume eighteen include: The sources and significance of the Orpheus myth in Musica Enchiriadis and Regino of Prum's Epistola de harmonica institutione; 'Premierement ma baronnie de Chasteauneuf': Jean de Ockeghem, treasurer of St Martin's in Tours; Citation and allusion in the late Ars nova: the case of Esperance and the En attendant songs.
Edited by:
Iain Fenlon
Imprint: Cambridge University Press
Country of Publication: United Kingdom
Volume: Volume 18
Dimensions:
Height: 229mm,
Width: 152mm,
Spine: 24mm
Weight: 630g
ISBN: 9780521104432
ISBN 10: 0521104432
Series: Early Music History
Pages: 428
Publication Date: 19 March 2009
Audience:
Professional and scholarly
,
General/trade
,
Undergraduate
,
ELT Advanced
Format: Paperback
Publisher's Status: Active
1. Music notation in Archivio San Pietro and in the Farfa Breviary John Boe; 2. The sources and significance of the Orpheus myth in Musica Enchiriadis and Regino of Prum's Epistola de harmonica institutione Susan Boynton; 3. Rinuccini the craftsman: a view of his L'Arianna Bojan Bujic; 4. Ferdinand of Aragon's entry into Valladolid in 1513: the triumph of a Christian king Tess Knighton and Carmen Morte; 5. 'Premierement ma baronnie de Chasteauneuf': Jean de Ockeghem treasurer of St Martin's in Tours Agostino Magro; 6. Diplomacy and musical patronage: Virginia, Guidubaldo II, Maximilian II, 'lo Streggino' and others Franco Piperno; 7. Citation and allusion in the late Ars nova: the case of Esperance and the En attendant songs Yolanda Plumley; Review.
