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Early Music History

Studies in Medieval and Early Modern Music

Iain Fenlon

$58.95
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English
Cambridge University Press
19 March 2009
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume eleven include: Music and festivities at the court of Leo X: a Venetian view; Jean de Castro, the Pense partbooks and musical culture in sixteenth-century Lyons; The lost chant tradition of early Christian Jerusalem: some possible melodic survivals in the Byzantine and Latin chant repertories; Rome as the centre of the universe: papal grace and musical patronage.
Edited by:  
Imprint:   Cambridge University Press
Country of Publication:   United Kingdom
Volume:   Volume 11
Dimensions:   Height: 230mm,  Width: 152mm,  Spine: 19mm
Weight:   500g
ISBN:   9780521104364
ISBN 10:   052110436X
Series:   Early Music History 25 Volume Paperback Set
Pages:   336
Publication Date:  
Audience:   Professional and scholarly ,  General/trade ,  Undergraduate ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Reviews for Early Music History: Studies in Medieval and Early Modern Music

A dead author turns out to be anything but the blandly successful public figure he'd pretended to be for 40 years, in Ruth Rendell's ninth as Barbara Vine - a slow-moving, richly textured suspenser. Even as Gerald Candless was making a comfortable living from a long series of novels that reviewers praised as wise and humane, his private life told another story. His loyal wife Ursula, civilly estranged from any intimacy with him ever since the birth of their daughter Hope, deals with his sudden death by snipping the stamps from his voluminous correspondence and discarding the envelopes, then going back to work as a day-care provider. The daughters Gerald was so close to - the obituary they compose describes him as adored - are more properly grief-stricken. But when older daughter Sarah agrees to take time from her women's studies research at the University of London to write a biography of her father, her tears swiftly turn to astonishment that everything he told his family about his early life was false. In the face of the chronicle of his early years that Sarah and Hope had dutifully recycled for his obituary, Gerald Candless hadn't existed before 1951, when an enterprising young journalist decided to swap his identity for that of a child long dead of meningitis. What made Gerald Candless's identity so attractive to the young man who went on to reinvent himself in a score of tantalizingly veiled novels - or what made the identity he fled so unbearable? Vine's fans will take it as no more than their due to find that Gerald's mystery is wrapped around a forgotten murder, but even they may he surprised to learn what role Gerald played in the killing. Not at the level of The Brimstone Wedding (1996), this latest excursion into the harrowing past shows Vine at her most weblike, with the murder case that Sarah Candless backs into almost an afterthought in a novel whose people - right up to the final merciful release - all seem long dead, dying, or hopelessly immured in the past. (Kirkus Reviews)


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