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Hardback

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English
Oxford University Press Inc
26 February 2025
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read on the Oxford Academic platform and offered as a free PDF download from OUP and selected open access locations.

Some fifty years after its birth in the Bronx, hip hop has become one of the most influential cultural phenomena of the internet era. With the internet now enmeshed in our daily routines, hip hop thrives in the digital realm, constituting a third of all music streams. From Drake memes to viral TikTok dances and AI-generated rappers, hip hop is constantly created, shared, and discussed online. This shift challenges hip hop's conventional connections to place, authenticity, and community. Through this book, author Steven Gamble offers a fresh examination of hip hop's latest chapter, intricately interwoven with the interconnected cultural currents of the internet.

With an innovative method encompassing music and cultural analysis, ethnography, and web data analysis, Gamble provides a cutting-edge account of the intersections between hip hop and the internet, supported by the latest practices in digital humanities and data ethics. The book extensively draws on scholarship in hip hop studies, internet studies, popular music studies, media studies, communication studies, cultural studies, Black studies, intersectional feminism, and more. Gamble provides in-depth insights into hip hop in the internet age, new net-native genres like Soundcloud rap and YouTube lofi beats, communities on social media and streaming platforms, online hip hop feminism in rap music videos, cultural appropriation and callout/cancel culture, and hip hop concerts on video game platforms. For old school heads and extremely online memesters alike, for fans and creatives, for students as well as academics seeking to understand digital transformations of music, Digital Flows uncovers what happens when a cultural form born on the streets thrives on the transformative technologies of global reach.
By:  
Imprint:   Oxford University Press Inc
Country of Publication:   United States
Dimensions:   Height: 235mm,  Width: 156mm, 
Weight:   1.030kg
ISBN:   9780197656389
ISBN 10:   0197656382
Pages:   240
Publication Date:  
Audience:   College/higher education ,  Further / Higher Education
Format:   Hardback
Publisher's Status:   Active

Dr Steven GambleÂis a Leverhulme Early Career Fellow at the University of Bristol, specialising in the study of popular music, digital methods, and online music cultures. He is the author of How Music Empowers: Listening to Modern Rap and MetalÂand co-founder of the Music and Online Cultures Research Network (mocren.org).

Reviews for Digital Flows: Online Hip Hop Music and Culture

"""Internet studies and creator studies are integral to the ways in which we look at contemporary media studies overall. However, there has yet to be a defining text that has highlighted how musicians are early adopters and first movers of both the web and social media platforms. Gamble's text tackles this task in a very refreshing way. His interdisciplinary ethics of care towards theorizing musicians as innovative creators makes this text very accessible and necessary."" --Jabari ""Naledge"" Evans, University of South Carolina and Institute for Rebooting Social Media, Harvard University ""Digital Flows places hip-hop at the very heart of the contemporary internet landscape. This wide-ranging and rigorously researched book provides a forward-looking cultural framework to help scholars untangle the deeply intertwined and ever-changing relationship between hip-hop and the internet. Deftly navigating various digital media platforms, Gamble brilliantly explores hip hop's new online frontiers, including memes, streams, virtual cyphers, and dance crazes. Digital Flows makes a timely and lively contribution to our understanding of music, media, and culture in the Internet age. Considering that hip-hop continues to shape and be shaped by the online landscape, this book will be critical to any scholar researching digital music-making and foundational to thinking about the potential futures of hip-hop and the internet."" --Jasmine A. Henry, Assistant Professor of Music, University of Pennsylvania"


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