Designing Peace asks, how might we collectively put our creative forces together to envision a future we want to live in and take action to create it now? This book is an intersectional snapshot of the actions-culturally diverse and wide-ranging in scale-that are currently in play around the world. Offering perspectives on peace through essays, interviews, critical maps, project profiles, data visualizations, and art, this book conveys the momentum that design can gain in effecting a peace-filled future. From activists, scholars, and architects to policymakers, graphic, game, and landcape designers, Desiging Peace flips the conversation: peace is not simply a passive state signifying the absence of war, it is a dynamic concept that requires effort, expertise, and multi-dimensional solutions to address its complexity.
Designers engage with individuals, communities, and organizations to create a more sustainable peace-from creative confrontations that challenge existing structures, to designs that demand embracing justice and truth in a search for reconciliation. This publication aims to expand the discourse on what is possible if society were to design for peace.
Preface by:
Darren Walker
Contributions by:
John Paul Lederach
Edited by:
Cynthia E. Smith
Imprint: Cooper-Hewitt Museum
Country of Publication: United Kingdom
Dimensions:
Height: 300mm,
Width: 220mm,
Weight: 1.100kg
ISBN: 9781942303329
ISBN 10: 1942303327
Pages: 240
Publication Date: 30 November 2022
Audience:
General/trade
,
ELT Advanced
Format: Paperback
Publisher's Status: Active
Introduction: Cynthia E. Smith, Cooper Hewitt, Smithsonian Design Museum I. How might design support a more humane security and peace? “An Architecture of Peace: Scaling the Intimate, Containing the Infinite,” Michael Murphy, MASS Design Group “The Business of Peace: Designs for Peace-Positive Technology,” Jason Miklian, University of Oslo, and Kristian Hoelscher, Peace Research Institute, Oslo “Borders and Boundaries,” Beth Simmons, Michael Kenwick, and Dillon Horwitz, University of Pennsylvania “In Transit: Urban Mobility and Migration,” Tone Selmer-Olsen and Håvard Breivik, Institute of Urbanism and Landscape, Oslo School of Architecture and Design (AHO) “Imagine the Just City,” Toni L. Griffin, Just City Lab, Graduate School of Design, Harvard University Projects: The Adventures of Daly graphic novels (Tunisia) Body Mapping (Democratic Republic of the Congo) Island Tracker (East and South China Seas) Oceanix City (Global) Papers, Please (Virtual) Startblok Elzenhagen (The Netherlands) Social Emergency Response Center (Canada, Serbia, United States) “Borderwall as Architecture,” Ronald Rael and Virginia San Fratello, University of California, Berkeley Teeter-Totter Wall (Mexico, United States) II. How can design help advance peace by addressing the root causes of armed conflict? “The United Nations Security Council Negotiation Process from an Architect’s Point of View,” Michael Adlerstein, United Nations “New World Summit,” Jonas Staal, artist and organizer Projects: CONIFA (Global) Hate Speech Lexicons (Africa, Middle East) Regreening Africa (Africa) Peace Pavilion (India) House of Peace (Denmark) Positive Peace Index (Global) Stalled! (United States) Universal Declaration of Human Rights Posters (United States) Rare Earthenware (China) Astropolitics (Earth and Moon) New World Summit – Rojava (West Kurdistan) III. What ways can creative confrontation challenge existing structures and the status quo? “Beautiful Trouble Toolbox,” Nadine Bloch and Andrew Boyd, Beautiful Trouble: A Toolbox for Revolution “Glyphs, Inc.: The Quest for Universality through Visual Symbols,” Lee Davis, Maryland Institute of Art and Design “Objects, People, and Peace,” Caroline O'Connell, Cooper Hewitt, Smithsonian Design Museum Projects: Art the Arms Fair (United Kingdom) Extinction Symbol (Global) World Peace Symbol (Uruguay) Maps (bullet rug) series (Colombia, Guatemala, Lebanon, Mexico, Spain, United States) Black Lives Matter Harlem street mural (United States) IV. How might design embrace truth and dignity in a search for peace and justice? “Designing the Kitchen,” Merve Bedir, Land+Civilization Compositions “The Global Legacy of Colonialism: Citizen-State, A Bottom-Up Reparation Model,” Everisto Benyera, University of South Africa, Pretoria “¿A quién pertenece la tierra? [Who Owns the Land?]” Pablo Ares and Julia Risler, Iconoclasistas Binalakshmi Nepram, Manipur Women Gun Survivors Network and Control Arms Foundation, India, with Cynthia E. Smith Projects: Conflict Kitchen (United States) Christmas Operations (Colombia) My Ancestors’ Garden (United States) Paper Monuments (United States) The Chronic (Global) The Murder of Halit Yozgat (Germany) V. What ways can design support/facilitate transitions from instability to sustainable peace? Chelina Odbert, Kounkuey Design Initiative for the World Bank/Gender Inclusive Urban Planning Projects: HarassMap (Canada, Egypt, Mexico, South Africa, Switzerland, Turkey) Recoding Post-war Syria (Syria) RefAID (Global) Korea Remade (North Korea, South Korea) Safe Passage Bags (Greece) Ideas Box (Global) Designing for Dignity (Norway) Stone Garden (Lebanon) BLUE: Architecture of UN Peacekeeping Missions (Mali, Libera) Casa Azul (South America, Central America, and the Caribbean) Jordan River Peace Park (Israel, Jordan, Palestine)
Cyntia E. Smith is an author and editor. John Paul Lederach is a senior fellow at Humanity United and professor emeritus of international peacebuilding at the University of Notre Dame. He is also the co-founder and first director of the Eastern Mennonite University's Center for Justice and Peacebuilding. In 2019 he won the Niwano Peace Foundation Peace Prize. Dr. Lederach is internationally recognized for his pioneering work in the field of conciliation and conflict mediation. He has provided consultation for peacebuilding efforts in Somalia, Northern Ireland, Colombia, the Basque Country, the Philippines, Tajikistan, Nepal and in East and West Africa. He has also helped develop and lead hundreds of training programs in conflict transformation, mediation and international peacebuilding in 35 countries around the world.
Reviews for Designing Peace: Building a Better Future Now
An intersectional visual conversation between activists, designers, architects and theorists ... Profusely illustrated, thought-provokingly informative.-- Midwest Book Review As the war in Ukraine rages on, it's hard to imagine a more timely summer show than Designing Peace, at the Cooper Hewitt.--Andrea K. Scott New Yorker Building playgrounds on the border wall and serving cuisine from North Korea, designers and artists are creatively engaging the challenges of world peace in ways that surpass static emblems such as the peace symbol.--Jonathon Keats Forbes: Media Designing Peace implicates design in processes for mitigating, if not expunging, conflict ... How can design preserve community safety? How can design be used to root out the causes of a conflict? How might design contribute in smoothing the transition to peace in unstable contexts? And more curiously, can design engage creative confrontation ? Given the sad state of geopolitics, the findings and solutions presented in Designing Peace are as urgent as ever.-- The Architect's Newspapaer Highlights how design can help resolve conflicts, promote justice, and pave the way for peace.--Elissaveta M. Brandon Fast Company
