Scattered in archives and historical societies across the United States are hundreds of volumes of manuscript music, copied by hand by eighteenth-century amateurs. Often overlooked, amateur music making played a key role in the construction of gender, class, race, and nation in the post-revolution years of the United States. These early Americans, seeking ways to present themselves as genteel, erudite, and pious, saw copying music by hand and performing it in intimate social groups as a way to make themselves--and their new nation-appear culturally sophisticated. Following a select group of amateur musicians, Cultivated by Hand makes the case that amateur music making was both consequential to American culture of the eighteenth century and aligned with other forms of self-fashioning. This interdisciplinary study explores the social and material practices of amateur music making, analyzing the materiality of manuscripts, tracing the lives of individual musicians, and uncovering their musical tastes and sensibilities. Author Glenda Goodman explores highly personal yet often denigrated experiences of musically ""accomplished"" female amateurs in particular, who grappled with finding a meaningful place in their lives for music. Revealing the presence of these unacknowledged subjects in music history, Cultivated by Hand reclaims the importance of such work and presents a class of musicians whose labors should be taken into account.
List of illustrations Note on sources Cast of characters Preface Introduction Chapter 1: Reproducing Music Laboring Bodies and Technologies of Reproduction What is a Manuscript Music Book? Manuscript, Print, and Gender Chapter 2: Learning Music Literacies Literacy as Piety Print Discipline Becoming Refined Rigorous Seminaries Chapter 3: Consumerism and the Materiality of Music Books Family Business Luxury Goods Global Trade and Raw Supplies Chapter 4: Economies of Accomplishments Pleasing Patriarchs and Self-Display Courtship, Marriage, and the Intimacies of Musical Exchange Absence and Remembrance Chapter 5: Appearing Tasteful Personal Improvement Cosmopolitan Aspiration, Provincial Anxiety, and the American Galant Being Seen Sensibility, Observation, and Connection Epilogue Bibliography
Glenda Goodman is an Assistant Professor of Music at the University of Pennsylvania who works on the history of music in early America.
Reviews for Cultivated by Hand: Amateur Musicians in the Early American Republic
"""...Goodman's study reveals the meaningful role of amateur music making in everyday life in the early years of the republic. Recommended. Lower-division undergraduates through faculty and professionals."" -- P. D. Sanders, The Ohio State University at Newark, CHOICE ""In Cultivated by Hand, Glenda Goodman foregrounds amateur musicking in the first decades of the Republic to formulate a new narrative of music history in the United States. An erudite move away from a valuation of music based on traditional European historiography, this book will unequivocally reshape the way the scholars interpret musical sources."" -- Candace Bailey, North Caroline Central University ""InÂCultivated by Hand, Glenda Goodman brilliantly illuminates the heretofore unseen world of amateur musicking in the early Republic. Reading the hand-copied music books of women and men with care and insight, Goodman opens our ears to the sounds and lived intimacies of the post-Revolutionary generation, most especially the lives of white women who wove music through their labor, leisure, and self-fashioning as raced and gendered individuals. Recuperating the amateur as a key figure in the history of early American music, Goodman's work is moving, revelatory, and shimmering with insights that draw us deeply into the world of the early United States."" -- Elizabeth Maddock Dillon, author ofÂNew World Drama: The Performative Commons in the Atlantic World, 1649-1849"
- Winner of Winner, Lewis Lockwood Award, American Musicological Society.
