Sheryl Kaskowitz, PhD, is the author of God Bless America: The Surprising History of an Iconic Song, which won an ASCAP Deems Taylor Book Award for music writing. Her articles have been published in the New York Times, Slate, Bloomberg News, and other outlets. Kaskowitz earned her PhD in music with an ethnomusicology focus from Harvard in 2011 and completed her BA in music at Oberlin. She has served as a lecturer at Brandeis University and Brown University and lives with her family in Berkeley, California.
"""A model of song biography. From the mountains to the prairies to the White House to the ballpark, Kaskowitz's 'surprising history' offers a compelling journey into the complicated and contradictory American soul.""-- ""Jeffrey Magee, author of Irving Berlin's American Musical Theater"" ""Kaskowitz tells the fascinating and largely forgotten story of the 'music unit, ' a New Deal initiative that was both short-lived and under-the-radar. Aficionados of American music will be familiar with the work of Alan Lomax, head of the Archive of American Folk Song, who sent a team to California to record the songs of Dust Bowl refugees living in work camps. Kaskowitz shows us that the music unit was a direct precursor to Lomax and a missing link in the birth of the American folk music revival.""--Booklist ""In A Chance to Harmonize, Sheryl Kaskowitz vividly illuminates a unique moment in American history, when an agency of FDR's New Deal brought music and hope to struggling homesteaders, and reaped musical riches in return, sewing the seeds of the American Folk revival. The Music Unit's demise provides a telling lesson for our own times: it was shut down after only two years by conservatives in Congress who deemed it 'socialistic.'""--Susan Quinn, author of Eleanor and Hick ""Who knew that a book about government bureaucracy could create such an incredible adventure story? Sheryl Kaskowitz manages to do just that. Captivatingly written and exhaustively researched, A Chance to Harmonize brilliantly illuminates this critical yet often overlooked moment in American cultural history.""--Mark Davidson, author of Bob Dylan: Mixing up the Medicine ""A heartening account of music's ability to create cooperation and community and restore dignity and hope. Kaskowitz brings to vivid life the history of the Resettlement Administration's Special Skills Division, which developed art activities on American homesteads.""--Kirkus Reviews ""In the depths of the Great Depression, the US government embarked on an enigmatic mission to lift the spirits of the nation with music. Sheryl Kaskowitz's chronicle of the hidden history of the Music Unit and its cross-country search for American folk songs is rich in detail and rife with fascinating characters. A Chance to Harmonize is a deeply sympathetic account of how ordinary Americans, at the worst of times, sought solace and strength in music, and a clarion call for the intangible power of art.""--Melissa L. Sevigny, author of Brave the Wild River ""What could be more ambitious, fraught, potentially disastrous, and deeply inspiring than the New Deal's creation of planned, cooperative homesteads for victims of the Great Depression? The idea that folk music was the key to it all. And yet such was the mission of the Resettlement Administration's semi-clandestine Music Unit, which Sheryl Kaskowitz rescues from obscurity in this lively, nuanced chronicle. In her skillful telling, the story of the Music Unit--and especially the trials and triumphs of two crucial women, the brilliant Margaret Valiant and the implacable Sidney Robertson--becomes an absorbing, dual meditation on the political uses of music and on the New Deal's groundbreaking, messy entanglements with American folk culture.""-- ""Scott Borchert, author of Republic of Detours: How the New Deal Paid Broke Writers to Rediscover America, winner of the New Deal Book Award "" Praise for Sheryl Kaskowitz ""Probing and insightful...illuminating and thoughtful. An engaging portrait of how the song infiltrated patriotism, business and sports.""-- ""The Washington Post"" ""Shows how [patriotic songs] acquired their powerful symbolism and how they became ways of suppressing dissent... Clips of Smith, Berlin and even Richard Nixon singing the title song add another dimension to Kaskowitz's account of the song, and the way politicians and the American public have used it over the decades are also part of the story.""-- ""The Dallas Morning News"""