Paulo Scott was born in 1966 in Porto Alegre, in southern Brazil. At university, he was an active member of the student political movement and was also involved in Brazil's re-democratisation process. For ten years he taught law at university in Porto Alegre; he has now published five books of fiction and four of poetry, and is also a translator from English. He moved to Rio de Janeiro in 2008 to focus on writing full-time. Daniel Hahn is a writer, editor and translator with some sixty-something books to his name. His work has won him the Independent Foreign Fiction Prize, the Blue Peter Book Award and the International Dublin Literary Award, and he has been shortlisted for the Man Booker International Prize, among others.
'A searing indictment of racism and privilege in Brazil, and an uncompromising challenge to the country's idealised view of itself as a racial democracy.' Angel Gurria-Quintana, Financial Times ---- 'An artfully plotted tale about race, privilege and guilt . . . careful reading proves richly rewarding.' Lucy Popescu, The Observer ---- 'Phenotypes underscores how difficult antiracist projects can be at any scale...Scott's characters quickly abandon the possibility of a comprehensive solution in favor of stopgap measures that may or may not work. Such are the inadequacies, the novel asserts, of treating entrenched and systemic issues as if they are only skin-deep.' New York Times Book Review ---- 'A compelling exploration of the fraught reality of race relations in Brazil . . . there is much that English-speaking readers stand to gain from the considered, quiet fury of Paulo Scott's novel, not least the expansion of and challenge to modern-day discourses on race.' Laura Garmeson, Times Literary Supplement ---- 'A blistering examination of Brazil's fraught racial history told through two brothers, one light-skinned and one dark-skinned.' Katie Goh, i-D (Books to Read 2022) ---- 'Phenotypes is...brilliant and emotionally resonant. I put it down days ago, and I'm still walking around with it.' Star Tribune ---- 'Phenotypes is a complex, stream-of-consciousness novel about race, culture, and deciding for oneself where one belongs.' Foreword Reviews ---- '[A] profound story of colorism and familial loyalty set in Brazil...The multiple layers combine for a mesmerizing and mature story.' Publishers Weekly starred review ---- 'Scott pours out his indictment of Brazil in long, overflowing sentences that are equal parts outrage and cutting humor. Originally titled Brown and Yellow when it was published in Portuguese...it is not easy to shake off.' Kirkus Review ---- 'Scott seems to have managed to produce a novel that will survive the test of time, a profound interpretation of our time and our country.' Folha de Sao Paulo ---- 'Federico, the white-passing mixed-race narrator of Paulo Scott's stirring new novel Phenotypes, grips you from his opening words, and what a story he has to tell. Ostensibly sending up a Brazilian governmental bureaucracy's attempts to address problems with the racial quota system in its higher education, Scott quickly shows that he has penned a profound, coruscating exploration of race, racism, colorism, family dynamics, class, culture, regionalism, politics, radicalism, and so much more. Scott's intricate, ironic, entrancing narration, skillfully rendered into English by Daniel Hahn, confirms Scott as one of Brazil's finest contemporary writers.' John Keene ---- 'A powerful, complex and very ambitious voice. In the contemporary Latin American literature scene, Paulo Scott is a must-read.' Juan Pablo Villalobos ---- 'Phenotypes demonstrates how the traumas of growing up in a racist society can propel a person of color forward while never letting them escape their past.' Southwest Review ---- '[Phenotypes'] deftly engaging plot . . . twists and turns while exploring race, brotherhood, privilege, and the lasting impact of guilt. Hahn's translation is exemplary, and although this is not an easy read, it is a journey worth taking.' Joshua Rees, Buzz ---- 'Phenotypes is innovative, deftly precise in its form, and utterly profound in its content. Scott's work in bringing contemporary urgencies into fiction is uncomfortable and often unsettling, but necessary-and, ultimately, unforgettable.' Rachel Farmer, Asymptote