Joseph McBride is a film historian and associate professor in the Cinema department at San Francisco State University. His many books include Searching for John Ford, Frank Capra: The Catastrophe of Success, Steven Spielberg: A Biography, Hawks on Hawks, Whatever Happened to Orson Welles?: A Portrait of an Independent Career, as well as the critical studies John Ford (1974, with Michael Wilmington) and Orson Welles.
Impressively readable, unpretentious, and remarkably useful. Based on a lifetime of experience and observation, as well as conversations with some of the greats (like Orson Welles, John Ford & Howard Hawks), Joe McBride's comprehensive yet very succinct work should become a standard text. --Peter Bogdanovich, screenwriter, director, film historian I must confess that I had never read a how-to book straight through for the sheer pleasure of it, and I never expected to--until I got my hands on the splendid Writing in Pictures. . . . A word of warning: in this book you will not find the Six Keys to Compelling Characters, the Seven Secrets of Successful Plotting, or the Eight Jungian Archetypes No Studio Executive Can Resist. There are no magic formulae here--but if you do have a story to tell, this book will give you the solid practical advice you need to tell it in the most effective way. Writing in Pictures is a short course in how to think cinematically. It will change the way you write. It will change the way you watch. -- Sam Hamm, screenwriter of Batman, Batman Returns, and Homecoming If this isn't the greatest screenwriting book ever, I'll eat my hat! Writing in Pictures is the kind of how-to book Ben Hecht would have written on that subject: a Socratic tour of the profession the novice aspires to, filled with screenwriting lore, for illustration and entertainment. If you want to judge someone's work by how personal it is, this may just turn out to be Joe McBride's masterpiece. --Bill Krohn, author of Hitchcock at Work and Hollywood correspondent, Cahiers du Cinema In this unique contribution to the screenplay literature, Joe McBride invites writers to connect themselves to literary tradition, relying less on formulas and more on intelligent uses of classic storytelling technique. He blends general precepts, concrete examples, hard-won experience, and lively anecdotes into something more than the usual