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William Holman Hunt

A Catalogue Raisonné (Volumes 1 and 2)

Judith Bronkhurst

$363.95

Hardback

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English
Yale University Press
15 September 2006
William Holman Hunt was one of the three major artistic talents of the Pre-Raphaelite brotherhood. Hunt's work was always characterized by great seriousness of purpose, and his paintings include many of the most beautiful and powerful images of that midcentury explosion of creativity. This catalogue raisonée gives him the attention he deserves.

The book includes an introduction that assesses Hunt's life and artistic practice and discusses his aims, philosophy, and religious beliefs, which shed light on his works. While many of his paintings, with their extraordinary effects of light and color, are immediately accessible, his mature works incorporate symbolism that cannot be fully understood without a detailed knowledge of his intentions, and the catalogue entries thoroughly explore this. The volume presents Hunt's oils and works on paper in two separate sections, and appendixes provide additional information on his illustrated letters, etchings, published illustrations, sculpture, and furniture.

Published for the Paul Mellon Centre for Studies in British Art
By:  
Imprint:   Yale University Press
Country of Publication:   United States
Dimensions:   Height: 282mm,  Width: 248mm,  Spine: 6mm
Weight:   4.581kg
ISBN:   9780300102352
ISBN 10:   0300102356
Pages:   800
Publication Date:  
Audience:   College/higher education ,  Primary
Format:   Hardback
Publisher's Status:   Active

Judith Bronkhurst is assistant librarian at the Witt Library of the Courtauld Institute in London and the leading authority on William Holman Hunt.

Reviews for William Holman Hunt: A Catalogue Raisonné (Volumes 1 and 2)

This gorgeous book presents and discusses the oils, works on paper, and other artistic creations of William Holman Hunt, one of the three major artistic talents of the Pre-Raphaelite brotherhood.<br>


  • Winner of William M. B. Berger Prize for British Art History 2006
  • Winner of William M. B. Berger Prize for British Art History 2006.

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