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Unusual Sounds

The Hidden History of Library Music

David Hollander George Romero

$130.95   $111

Paperback

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English
Anthology Editions
15 January 2024
In the heyday of low-budget television and scrappy genre filmmaking, producers who needed a soundtrack for their commercial entertainments could reach for a selection of library music: LPs of stock recordings whose contents fit any mood required. Though at the time, the use of such records was mostly a cost-cutting maneuver for productions that couldn't afford to hire their own composer, the industry soon took on its own life: library publishers became major financial successes, and much of the work they released was truly extraordinary. In fact, many of these anonymous or pseudonymous scores-on-demand were crafted by the some of the greatest musical minds of the late 20th century-expert musicians and innovative composers who reveled in the freedoms offered, paradoxically, by this most corporate of fields.
By:  
Introduction by:  
Imprint:   Anthology Editions
Country of Publication:   United States
Dimensions:   Height: 254mm,  Width: 203mm,  Spine: 25mm
Weight:   1.140kg
ISBN:   9781944860127
ISBN 10:   1944860126
Pages:   332
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active
Preface: David Hollander Foreword: George Romero Introduction: David Hollander British Libraries German Libraries French Libraries Italian Libraries North American Libraries Film & Television Acknowledgements Index

David Hollander is an artist, filmmaker and collector of artist-made films and library music. He is a co-founder of CineMarfa, a film festival dedicated to showcasing rare and unseen films in Marfa, Texas. He lives in San Antonio.

Reviews for Unusual Sounds: The Hidden History of Library Music

A comprehensive must-read for those who relish and celebrate the expansive, often subrosa, world of Library Music, the work takes a deep dive into its varied history. With stunning original art by Robert Beatty, Unusual Sounds features histories and interviews, along with visuals from the field's most celebrated creators. - Aquarium Drunkard Unusual Sounds, provides an exhaustive history of library music told through interviews with the composers, producers and players responsible for making the records. - Vinyl Factory ...a rigorous, in depth, but accessible piece of work, unwinding decades deep shadows and mysteries, returning humanity and the notion of art to a territory which has so often been denied those designations. - Soundohm As a historical overview of this world, it would be simply impossible to top David Hollander's Unusual Sounds: The Hidden History of Library Music... - The Wire Featuring original art by Robert Beatty and an introduction by George A. Romero--whose use of library music in Night of the Living Dead changed film history-- Unusual Sounds is mandatory reading for anyone interested in this enigmatic field and its hidden but pervasive cultural influence. - Vinyl Radar These LPs, the height of which appeared across the 1960's and 70's, but stretch from the earliest days of radio to this very day, carry descriptions which often give little clue to what they contain. In a nutshell, it is among the hardest arenas of music to crack, which is David Hollander's Unusual Sounds: The Hidden History of Library Music, is about as valuable as books about records come. It brilliant piece of work, and an open door to a widely unrecognized and misunderstood world. - Soundohm The cult of library music is a fascinating one; anonymous musicians from the '50s through the '70s recording like an assembly line were, eventually, found to have done more than just jazzy widget assembly to fill space for film and television. The archivist David Hollander has devoted a lot of his life to this corner of music history, releasing some of its most notable tunes through his Cinemaphonic series, and writing about it in Unusual Sounds: The Hidden History of Library Music. -Andrew Flanagan, NPR Unusual Sounds is more than just a look at a kind of music, but a way of making music which has essentially gone away. . . .a fantastic read. -Nick Spacek, Starburst Magazine


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