AUSTRALIA-WIDE LOW FLAT RATE $9.90

Close Notification

Your cart does not contain any items

$176.95

Hardback

Not in-store but you can order this
How long will it take?

QTY:

English
Oxford University Press
27 April 2023
The book is a study of literature in India in the context of recent discussions on modernity and its theoretical extensions such as the everyday and the social imaginary. It is a critique of the aesthetics and politics of modernity as they are embodied in Indian bhasha literature of the past two centuries. The primary objective of the book is to explore the trajectory of modernity after Indian literature encountered colonialism in the early 19th century. The intricate ways in which the bhasha imagination negotiated questions around concepts such as colonialism, aesthetics, the literary, the historical, and the social, have received focused attention in the analysis. Although the study acknowledges the European provenance of modernity as a historical idea, it also recognizes the inherent complexity of the concept and its equivocal connotations when used with reference to the polyphonic bhasha communities in India. Theoretical issues debated in relation to modernity such as its conceptual affinities with the western enlightenment project, its ideological investment in European aesthetics, and its implication for the evolution of what might be called the hermetic aesthetic are significant to this study. The work also examines the regional strengths of the social imaginary that render a conventionally conceived modernity inadequate in explaining the uniquely modern strengths of the Indian bhasha imagination.
By:  
Imprint:   Oxford University Press
Country of Publication:   United Kingdom
Dimensions:   Height: 224mm,  Width: 146mm,  Spine: 25mm
Weight:   576g
ISBN:   9780192871558
ISBN 10:   0192871552
Pages:   360
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active
SECTION I: HISTORICIZING BHASHA LITERATURE 1: Modernity and Indian Literature 2: The Everyday as Modernity 3: Print Capitalism and Modernity 4: The Literary Process and the Social Imaginary 5: Translation and Literary History 6: Decolonizing Translation 7: Bhasha Writing as World Literature SECTION II: BORDER-CROSSING BHASHA LITERATURE 8: Towards a Comparative Indian Literature 9: Realism in the Bhasha Novel: The Case of Paraja 10: Modernity and Kesari's Ambivalences 11: Region and Nation in Bhasha Poetry 12: The Bilingual Everyday in Bhasha Literature 13: Modernity and Literary Historiography 14: A Latin American Moment in Indian Fiction SECTION III: SIX WAYS OF BEING MODERN: READING A BHASHA CANON 15: M.T. Vasudevan Nair: Modernity as Expressive Realism 16: S.K. Pottekkat: Modernity as Social Fantasy 17: O.V. Vijayan: Modernity as Ideological Vision 18: Rajelakshmy: Modernity as Gender Trouble 19: Ayyappa Paniker: Modernity as Critical Humanism 20: Madhavikkutty: Modernity as Divided Self

PP Raveendran, bilingual critic and currently the Vaikom Muhammed Basheer Chair Visiting Professor at the University of Calicut, was formerly Professor and Director, School of Letters, Mahatma Gandhi University, Kottayam. He is the author of, among others, 'Texts Histories Geographies: Reading Indian Literature' (Orient BlackSwan, 2009), 'Kamala Das' (Sahitya Akademi, 2017), and the coedited volume, 'The Oxford India Anthology of Modern Malayalam Literature' (Oxford University Press, 2017). His work in Malayalam titled 'Adhunikatayude Pinnampuram' (The Backyard of Modernity, 2017) won the Kerala Sahitya Akademi Award for Literary Criticism for the year 2018.

See Also