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Grady Hendrix writes fiction, also called 'lies', and non-fiction, which people sometimes accidentally pay him for. He is the author of Horrorstör, the only novel about a haunted Scandinavian furniture store you'll ever need. It has been translated into fourteen languages and is being turned into a movie from the people who made quality films like 1917 and Black Swan. Foolishly, they are paying Grady to write it. He is busy inserting a whole lot of tutus into it right now. His novel My Best Friend's Exorcism, about demonic possession, friendship, exorcism, and the 1980s, is basically Beaches meets The Exorcist. It caused The Wall Street Journal to call him 'a national treasure' and it received rave reviews from everyone from Kirkus to Southern Living. Surprisingly, this is still not enough for him to earn his mother's love.
A chillingly addictive Southern Gothic tale -- <i>Cosmopolitan</i> This book is so twisted and smart . . . As soon as I finished, I wanted to start all over again -- Catriona Ward, author of <i>The Last House on Needless Street</i> and <i>Nowhere Burning</i> There’s spells, there’s witches, and then there’s the magic Grady Hendrix conjures up in this amazing novel -- Stephen Graham Jones, <i>New York Times</i> bestselling author of <i>I Was a Teenage Slasher</i> A morally complex and genuinely haunting and moving tale. I couldn't put it down once I started -- Paul Tremblay, bestselling author of <i>The Cabin at the End of the World</i> Another nail-biter not to be missed! -- Tananarive Due, author of <i>The Reformatory</i> This is Satan's School for Girls or The Initiation of Sarah . . . horror, social comment and wicked black humour -- Kim Newman, author of <i>Anno Dracula</i> Terrifying, darkly funny, moving, immersive, and deeply relevant – a page-turner that will keep you up until one in the morning -- Simone St. James, <i>New York Times</i> bestselling author of <i>Murder Road</i> Grady Hendrix does it again, only better . . . Enchanting and entertaining -- Alma Katsu, author of <i>The Fervor</i> Full of hexes and heart, Witchcraft for Wayward Girls is Hendrix's best novel yet! -- Ronald Malfi, bestselling author of <i>Come with Me</i> Captivating . . . A phenomenal read for witches everywhere! -- Carissa Orlando, author of <i>The September House</i> Portentous and disquieting, it's a book that'll linger like a scar -- Cassandra Khaw, author of <i>Nothing But Blackened Teeth</i> and <i>The Salt Grows Heavy</i> Stunning, full of dread and heartache and unforgettable characters. It’s impossible to read this book and not be touched by it. What a triumph! -- Christopher Golden, <i>New York Times</i> bestselling author of <i>The House of Last Resort</i> and <i>Road of Bones</i> As pacey as it is insightful, and an absolute page-turner into the bargain. I devoured it -- Alison Littlewood, author of <i>The Hidden People</i> Raw, fearless and powerful. I screamed, I sobbed, I devoured every word -- Lindy Ryan, author of <i>Bless Your Heart</i> and <i>Cold Snap</i> A haunted, heartbreaking masterpiece, filled with magic and monsters - human and otherwise. Hendrix has written an unmissable instant horror classic -- Christina Henry, author of <i>The House that Horror Built</i> and <i>Alice</i> A powerful novel filled with rich, complex characters, echoing with dread and hope, and driven by righteous rage. At times I found myself shaking with fury, at other times . . . yes, Grady made me cry again. Beautiful and brilliant -- Tim Lebbon, author of <i>Among the Living</i> Grady Hendrix’s horror novels are a gateway drug to the genre -- <i>The New York Times</i>
