The Variations

‘If Hilary Mantel's Beyond Black were written by John Banville channelling M. John Harrison, the result would look something like this. And yet Langley has made something new and unexpected about how the present is, necessarily and always, an echo corridor of the past. Beautifully written, powered by a wonderfully intelligent conceptual dynamo, and deftly sprung with surprises, The Variations is an utterly original book about haunting. It is strange, resonant, and, yes, haunting.’ — Neel Mukherjee, author of The Lives of Others ‘The Variations is a passionate meditation on how past and present meet and annihilate one another in the flare of individual human experience. Music is presented as a kind of weather, blustery and changeable, unlimited by its own time. It takes you up, puts you down, whirls you away. Langley's prose, lyrical and accurate, enlivens and illuminates. A tremendous, seriously ambitious novel.’ — M. John Harrison, author of Wish I Was Here ‘A novel humming with deep emotional truths and pitch-perfect execution. I loved it.’ — Steven Hall, author of Maxwell’s Demon ‘I thought The Variations was remarkable. I loved its hallucinatory vision of music as both gift and affliction, as a sort of crystallised form of human history. A book of strange and revelatory genius’ — Anna Smaill, author of The Chimes ‘A skilfully told story about inheritance and inspiration, music and time. Langley has a fine eye for detail and scene-making, and The Variations is full of startling observations and images.’ — Martin MacInnes, author of In Ascension ‘A gorgeous novel… A livid and visionary brotherly love story set among our ruins. I loved it.’ — Max Porter, author of Shy (praise for Arkady) ‘I haven’t been able to stop thinking about [Arkady] – such a tender, hopeful tale of brotherhood and belonging, set against vividly imagined urban topographies. I haven’t read anything like it in ages.’ — Sophie Mackintosh, author of The Water Cure (praise for Arkady) ‘The prose crackles with energy as the narrative follows the constant movement by placing the reader on a well-oiled tracking dolly, often zooming out to remind us of the bigger picture. Langley is a highly visual writer and Arkady an assured allegorical debut about a near-future Britain that is potentially only a recession or two away.’ — Ben Myers, New Statesman (praise for Arkady) ‘Thick with smoky atmosphere and beautifully controlled – this is a vivid and very fine debut.’ — Kevin Barry, author of Nightboat to Tangier (praise for Arkady) ‘Patrick Langley’s Arkady is a strange trip – luminescent, jagged and beautiful. A debut novel that twists, compels, descends and soars. I highly recommend it.’ – Jenni Fagan, author of The Panopticon (praise for Arkady)