The Son of Man

‘There is a biological fatalism to Del Amo’s novels that eschews all metaphysics and any sense of hope that things can be turned around. That’s fair enough: it is not fiction’s job to bring good news...We are neither noble nor enlightened—we are terrifyingly vulnerable animals whose war on natural processes has rendered us the most brutal and self-deluded species of all. It seems Del Amo’s literary project is to smash that self-delusion to smithereens.’ * Saturday Paper * ‘The Son of Man is an explosion, a shout. Jean-Baptiste Del Amo is a storming talent; here are words which are forged rather than written, smeared with blood.’ * Daisy Johnson, author of Sisters * ‘The Son of Man is an astonishing book. Beautifully written, devastating at times, and relentless, but unforgettable.’ * Michael Magee, author of Close to Home * ‘The Son of Man demands a fearless kind of reading. It combines the impassive eye of a naturalist regarding their object of study, with the fierce revolt of that which is scrutinized, and resists being catalogued and known. Del Amo reaches into atavistic territories of impulse, desire, violence and repetition, and refuses to domesticate through conclusion. I was mesmerized by this formidable tale of a son and a mother who come up against both the law of the father and the lawlessness of nature.’ * Daisy Lafarge, author of Lovebug * 'The Son of Man is a complete vision: a parable as palpable as the flesh Del Amo renders in painstaking detail. Dread and horror and beauty all at once—this book defies categorization. I loved every carefully crafted sentence, even as I feared what the next page would bring.’ * Garrard Conley, author of All the World Beside * ‘An exquisite and mesmerizing novel, in which violence constantly threatens to break the surface. The precision and detail of the prose imprints on the mind like a photograph.’ * Isabella Hammad, author of Enter Ghost * 'A novel of mounting tension, of violence handed down through generations of men like a terrible heirloom. Jean-Baptiste Del Amo is a master of horrific landscapes, landscapes which are rendered horrific by and through the humans who live in them. I would follow him into any deep, dark forest.’ * Madeleine Watts, author of The Inland Sea * ‘The simple plot becomes as complex as the psychology of these human beasts...Rarely has this young author hit the right notes so perfectly.’ * Le Monde * ‘Del Amo gives a soul to this drama. We oscillate constantly between nature writing, a fable and a psychological novel.’ * Livres Hebdo * ‘Many magnificent scenes—brief moments of light amidst the darkness and a fear so intense you could cut it with a knife.’ * Le Figaro Littéraire * ‘4.5 stars. Dark, uncompromising, and poetic…It is both an excoriation of toxic masculinity, and plea for understanding…This is a powerful, moving, and thought-provoking novel, which despite its darkness, is highly readable.’ * GLAM Adelaide * ‘Jean-Baptiste Del Amo casts a powerful spell…Has stripped his book of many of the novel’s traditional accoutrements…What is there is inexorable, bleak and ugly, but it’s hard to look away.’ * NZ Listener * ‘An exceptional novel of nature and wildness, and an examination of how families fold together and break apart.’ * Time Out Bookstore NZ * ‘A devastating, provocative black parable, told with irresistible force.’ * Age Fiction Pick of the Week * ‘A masterpiece of toxic masculinity and the ways in which male violence is passed between generations. Skin crawling but essential reading.’ * Bram Presser * ‘4 stars. A devastating story beautifully told.’ * Big Issue * ‘Exquisite. The writing is beautiful, there were sentences that were just extraordinary…There’s almost a joy in the darkness…A lingering tale of deep meaning.’ * ABC Radio National: The Bookshelf * ‘An exceptional novel of nature and wildness, and an examination of how families fold together and break apart.’ * Time Out Bookstore *