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The Ruling Class

Peter Barnes

$24.99

Paperback

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English
Methuen Drama
16 January 2015
Series: Modern Plays
Etonians aren't exactly noted for their grey matter, but I've always found them perfectly adjusted to society.

Jack, a possible paranoid schizophrenic with a Messiah complex, inherits the title of the 14th Earl of Gurney after his father passes away in a bizarre accident. Singularly unsuited to a life in the upper echelons of elite society, Jack finds himself at the centre of a ruthless power struggle as his scheming family strives to uphold their reputation.

Bubbling with acerbic wit and feverish energy, Olivier Award-winning and Oscar-nominated-writer Peter Barnes’s razor-sharp satire combines a ferocious mix of hilarity and horror whilst mercilessly exposing the foibles of the English nobility.

This edition of the play is published to coincide with the first-ever revival of this classic cult comedy at the Trafalgar Studios, London, on 16 January 2015.
By:  
Imprint:   Methuen Drama
Country of Publication:   United Kingdom
Dimensions:   Height: 198mm,  Width: 129mm,  Spine: 8mm
Weight:   145g
ISBN:   9781474248532
ISBN 10:   1474248535
Series:   Modern Plays
Pages:   136
Publication Date:  
Audience:   Professional and scholarly ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active

Peter Barnes (1931-2004) was a British writer and director whose work includes The Ruling Class (Nottingham and Piccadilly Theatre, London, 1968), Leonardo's Last Supper and Noonday Demons (Open Space Theatre, London, 1969), The Bewitched (RSC, Aldwych Theatre, London, 1974), Laughter! (Royal Court Theatre, 1978), Red Noses (RSC, Barbican, 1985) and Sunsets and Glories (West Yorkshire Playhouse, Leeds, 1990). Over the course of his career he won many awards including the Evening Standard Award, 1969; the John Whiting Award, 1969; the Sony Best Play Award, 1981; the Laurence Olivier Award, 1985; the Royal Television society Award for Best TV Play, 1987; and was nominated for an Oscar in 1993.

Reviews for The Ruling Class

It is a scorching and savage tragedy, yet its jokes are innumerable, and of a quality not to be found in any other play in London. Not only are they uproariously funny, but at the same time as they make you laugh your head off they throw wide open the windows of your mind, they enlarge your field of vision and they blow away the accumulated dust of ages. Sunday Times


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