The Routledge Companion to Diasporic Jazz Studies

Preface Part 1: What is Diasporic Jazz? 1. Tony Whyton: Jazz as Diaspora Space 2. Christopher Ballantine: What is “Jazz”? Categories, Passages, Contradictions and Power 3. Jonathan Wipplinger: Ways of Conceptualising the Global Jazz Diaspora 4. Philipp Schmickl: Rethinking Diaspora in Diasporic Jazz 5. Carol Muller: Diaspora in South African Jazz History and Contemporary Performance 6. Mikkel Vad: The Diaspora Swings Back: Expat Jazz Musicians in Europe and their Return Home to the United States 7. Ádám Havas: Identity Politics and Diasporic Jazz: Reflections from the European Semi-Periphery Part 2: Histories and Counter-Narratives 8. Catherine Tackley: “Snakehips Swing:” The West Indian Contribution to British Dance Band Music 9. Federico Ochoa Escobar: Jazz Diaspora and the Colombian Caribbean: From the Jazz Band to the Big Band 10. Jason R. Borge: Booker T. Pittman and the Mid-Twentieth Century South American Jazz Diaspora 11. Martin Breternitz: Individuality in Collectivism – Jazz Clubs in the GDR as Nonconformist Diasporic Institutions 12. Aleisha Ward: “Real Dance Music in Your Town Soon!” The Importance of Jazz as Dance Music in Aotearoa New Zealand 1920s-1940s 13. John Whiteoak: Jazz Diaspora, Latin Musical Influences and Australia Part 3: Making, Disseminating and Consuming Diasporic Jazz 14. Pekka Gronow: Music Industry and the Media 15. Mischa van Kan: Public Broadcasting Companies and Jazz Outside of the United States 16. Haftor Medbøe and José Dias: First Monday Revisited: Production and Dissemination of Diasporic Jazz in the Digital Age 17. Ryan Gourley: Soviet jazz on American Vinyl: Consuming Diasporic Jazz at Home 18. François Mouillot: “L’Autre Musique du Québec:” Musique Actuelle and the Making of an Experimental Jazz Scene in Quebec 19. Otto Stuparitz: Forum Jazz Indonesia: Organizing and Branding Indonesian Jazz Festivals Part 4: Culture, Politics and Ideology 20. Frederick J. Schenker: The Making of Jazz in Colonial Asia: Imperial Legacies 21. Alexander Gagatsis: Jazz in the Global Arena: The Case of Colonized Bombay, 1920-1947 22. Yoshiomi Saito| 齋藤 嘉臣: Jazz in Japan: From Post-war US-Japan Relations’ Perspective 23. Michael J. Kellett, Dave Wilson, Robert L. Burke: Settler Colonization and Austrological Improvisative Musicality Since the Late Nineteenth Century 24. Ricardo Álvarez Bulacio: Jazz with Mapuche Inspiration: Identities and Political Links in Contemporary Chilean Jazz 25. Stan BH Tan-Tangbau: Patient Infusion: Strategies of Community Formation in the Vietnamese Jazz Scene Part 5: Communities and Distinctions 26. Jiang Yuhan | 蒋玉涵: Becoming Cultural Elites in China: Jazz, Modernization and Professionalism 27. Eric Petzoldt: Jauk Armand Elmaleh-Lemal and the Casablanca Jazz Scene of the 1950s and 1960s 28. Lauren Istvandity: DIY Jazz Cultures in Queensland, Australia 29. Simon Petty: The Isle s Full of Noises: Tasmania’s Unique Jazz Identity 30. Robert Smith: Improvised Music in Wales 31. Pedro Cravinho: Urban Jazz Scenes in Portugal: Culture, Spaces and Networks 32. Pedro Roxo and Tiago Pereira Simões: “Conceptual Jazz” and “Jazz-Off:” Avant-garde, Globalization and Personal Interpretations of Jazz in Portugal – The Legacy of Jorge Lima Barreto (1968-1974) 33. Petter Frost Fadnes: Jazz City Pigeonics: Jazzloftet as a Diasporic “Ground Zero” Part 6: Presenting and Representing Diasporic Jazz 34. Marie Buscatto: Beyond Frontiers: From Japanese Traditional Koto to Transnational Improvised Music 35. Marc Duby: “Säd Afrika:” Django Bates and the South African Imaginary 1985-2012 36. Alex de Lacey: Bridging the Gap: Re-rendering Jazz Practice in London’s Displaced Diasporas 37. Roger Fagge: “Angry Young Men,” Jazz and Englishness 38. José Dias: Centre-Periphery relations and European Jazz Identities 39. Josep Pedro and Begoña Gutiérrez-Martínez: Jazz in Spanish Film Noir: Modernity and Youth Cultures During Late Francoism Part 7: Challenges and New Directions 40. Robert G. H. Burns: Indigeneity Meets Improvisation as Free Jazz: A Musical Director’s/Editor’s Perspective 41. Andrew Wright Hurley: Jazz as Postwar West-German Cultural Catalyst and African American Resistance 42. Haftor Medbøe, Diane Maclean and Sarah Raine: Vivid Stories: Oral Histories, Collective Memory, and the Scottish Jazz Scene 43. André Doehring: Diasporic jazz Among the Disciplines 44. Walter van de Leur: Is Jazz in Europe European Jazz? Countries, Continents, and Cultural Ownership 45. Bruce Johnson: Diasporic jazz and the “material turn:” A Case Study