Fritz Trumpi is assistant professor of music history at the University of Music and Performing Arts Vienna. Kenneth Kronenberg is a translator based in Cambridge, Massachusetts.
This is a groundbreaking study. Trumpi takes on two of the most iconic musical institutions in Germany and Austria, showing how closely they were integrated into the cultural politics of the Third Reich after the1938 annexation of Austria into Nazi Germany. His comparative approach and dual focus present a double case study that brilliantly demonstrates how the relationship between music and politics in a totalitarian regime was shaped by specific local circumstances that both favored and resisted total manipulation. --Berthold Hoeckner, University of Chicago The Political Orchestra takes an important look at the different ways the Berlin and Vienna Philharmonics were politicized before and during the Third Reich. Trumpi, who puts their musical styles and mythologies firmly into historical perspective, has unearthed and published for the first time much archival material, which this welcome English translation now makes available for a wider audience. --Georgina Prodhan, former Vienna correspondent, Reuters This is a groundbreaking study. Trumpi takes on two of the most iconic musical institutions in Germany and Austria, showing how closely they were integrated into the cultural politics of the Third Reich after the 1938 annexation of Austria into Nazi Germany. His comparative approach and dual focus present a double case study that brilliantly demonstrates how the relationship between music and politics in a totalitarian regime was shaped by specific local circumstances that both favored and resisted total manipulation. --Berthold Hoeckner, University of Chicago This is a groundbreaking study. Tr�mpi takes on two of the most iconic musical institutions in Germany and Austria, showing how closely they were integrated into the cultural politics of the Third Reich after the 1938 annexation of Austria into Nazi Germany. His comparative approach and dual focus present a double case study that brilliantly demonstrates how the relationship between music and politics in a totalitarian regime was shaped by specific local circumstances that both favored and resisted total manipulation. --Berthold Hoeckner, University of Chicago The Political Orchestra takes an important look at the different ways the Berlin and Vienna Philharmonics were politicized before and during the Third Reich. Tr�mpi, who puts their musical styles and mythologies firmly into historical perspective, has unearthed and published for the first time much archival material, which this welcome English translation now makes available for a wider audience. --Georgina Prodhan, former Vienna correspondent, Reuters The Political Orchestra takes an important look at the different ways the Berlin and Vienna Philharmonics were politicized before and during the Third Reich. Trumpi, who puts their musical styles and mythologies firmly into historical perspective, has unearthed and published for the first time much archival material, which this welcome English translation now makes available for a wider audience. --Georgina Prodhan, former Vienna correspondent, Reuters