Anita Anand is a political journalist who has presented television and radio programmes on the BBC for twenty years. She currently presents Any Answers on Radio 4. She is the author of Sophia: Princess, Suffragette, Revolutionary and, with William Dalrymple, Koh-i-Noor: The History of the World's Most Infamous Diamond. She lives with her husband and two children in London.
'Anita Anand uses the Amritsar Massacre as the backdrop to tell the fascinating story of Udham Singh, a low-caste Punjabi orphan who spent the next 21 years planning to avenge those who were killed at Amritsar by assassinating British officials he believed were responsible.' -- Francis P. Sempa * South China Morning Post * 'An involving account of a strange and obsessive life' -- Ian Jack * Guardian * 'Fascinating stuff!' -- Iain Dale * LBC * 'Immaculately researched and brutally honest, The Patient Assassin is like a jigsaw puzzle...In telling Udham's story, Anand throws new light on the bloodiest chapter in the history of British rule in India.' -- Rakshanda Jalil * India Today * 'A fascinating book' -- Ronan McGreevy * Irish Times * 'Deeply researched ... What makes this book so intense is that it is almost as if the author knows the way...by heart and takes the reader along.' -- Nirupama Dutt * Hindustan Times * 'A revealing look at the brutality and oppression of British rule, and how it seeded the desire for retribution in the hearts of so many Indians....Anand does a stellar job of sketching Singh's trajectory from orphanage to hangman's noose, and from obscurity into the pantheon of Indian heroes...Compelling, vivid prose.' -- Yudhijit Bhattacharjee * New York Times Book Review * 'A great and riveting story...full of remarkable twists and mysteries.' * The Times * 'Combines interesting details with forensic research and an eye for colour making this little told story into a page turner' -- Mihir Bose * Irish Times * 'A dramatic, fast-paced narrative ... Anand does a meticulous and determined job in tracing [Udham Singh's] steps and debunking more than one theory about him. Anand produces an engaging account of the times and of this unlikely hero. And though gripped by her subject, she does not shirk away from his human failings.' -- Manu Pillai * New Statesman * 'Fabulous book' -- Jeremy Vine 'Anand has turned her meticulous investigative journalism to tracking the life of the formerly shadowy Singh... [she] lures us into an irresistible narrative. It is an engaging story that reads satisfyingly more like a shadow world conspiracy thriller than the exhaustively researched piece of reconstruction that it is.' -- Rachel Holmes * Daily Telegraph * `An astonishing story, brilliantly told.' -- Dan Snow 'Briskly plotted, scrupulously even-handed and altogether riveting' -- John Preston * Daily Mail * 'A jaw-dropping true story...Udham Singh [survived] the massacre [at Amritsar] and swore vengeance. Like a real-life Tom Ripley, he assumed multiple identities and bided his time...and shot the former governor of the Punjab through the heart at point-blank range. Rough justice; brutally poetic.' -- Richard Madeley * Spectator * 'An excellent and important book' -- Mishal Husain * BBC Radio 4 Today Programme * `Gripping from start to finish. Anita Anand is brilliant guide who brings a series of extraordinary - and important - stories to life in this remarkable history.' -- Peter Frankopan * Author of The Silk Roads * 'Anita Anand's remarkable and brilliantly researched non-fiction thriller, The Patient Assassin: A True Tale of Massacre, Revenge and the Raj, [is] well-written, contains new research and breaks much fresh ground... Anita Anand focuses on one extraordinary story that had never been properly told before. Through some remarkable research in archives around the world, Anand has reconstructed much of [Udham Singh's] life.' -- William Dalrymple * Spectator * 'Reads like something from a thriller...colourful, detailed and meticulously researched account...the book really shines in evoking the fevered atmosphere of India in the late 1910s and early 1920s.' -- Dominic Sandbrook * Sunday Times *