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English
OXFORD UNIVERSITY PRESS
26 May 2011
The Oxford Handbook of Computer Music offers a state-of-the-art cross-section of the most field-defining topics and debates in computer music today. A unique contribution to the field, it situates computer music in the broad context of its creation and performance across the range of issues - from music cognition to pedagogy to sociocultural topics - that shape contemporary discourse in the field.

Fifty years after musical tones were produced on a computer for the first time, developments in laptop computing have brought computer music within reach of all listeners and composers. Production and distribution of computer music have grown tremendously as a result, and the time is right for this survey of computer music in its cultural contexts. An impressive and international array of music creators and academics discuss computer music's history, present, and future with a wide perspective, including composition, improvisation, interactive performance, spatialization, sound synthesis, sonification, and modeling. Throughout, they merge practice with theory to offer a fascinating look into computer music's possibilities and enduring appeal.
Edited by:  
Imprint:   OXFORD UNIVERSITY PRESS
Country of Publication:   United States
Dimensions:   Height: 244mm,  Width: 170mm,  Spine: 32mm
Weight:   975g
ISBN:   9780199792030
ISBN 10:   0199792038
Series:   Oxford Handbooks
Pages:   624
Publication Date:  
Audience:   General/trade ,  Adult education ,  Professional and scholarly ,  ELT Advanced ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active

Roger Dean is Research Professor of Sonic Communication at the University of Western Sydney, and Founder and Artistic Director of austraLYSIS. He is also author of Hyperimprovisation: Computer Interactive Sound Improvisation (2003) and Sounds from the Corner: Australian Contemporary Jazz Since 1973 (2005)

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