Zakiya Dalila Harris spent three years at Knopf before leaving to write The Other Black Girl. Prior to working in publishing, she received her MFA in creative writing from the New School and she currently teaches writing to children at Writopia Lab. Her work has appeared in Guernica and she reviews for The Rumpus. She lives in New York.
Part office satire, part thriller with a twist, this is a fresh and original take on race and class in the publishing industry ... A satire that uproots the insidious ways race and class merge in office dialogue and politics, and a thriller with echoes of the great science fiction writer Octavia Butler * Guardian * Zakiya Dalila Harris has written one of the books of the year. Piercing and funny . . . The book builds up to a climax that really will blow your mind * Stylist * Weaving in important discussions around race, navigating white spaces and the corporate world, this is a vital piece of literature that will have you howling and wincing at the same time * Refinery29 UK * [This] stunning debut . . . flies into uncharted territory as a racially charged thriller/horror mash-up and perfectly sticks its unpredictable landing . . . Timely and timeless * Sunday Times * A horror-style take on what it means to be black in America today. ... Harris builds tension like no other - you're hugely invested in Nella's success, and the twist at the end is simply brilliant (read: terrifying) * Independent * Bright and funny . . . You will turn page after page after page in your eagerness to unravel this unique tale -- Oyinkan Braithwaite, New York Times A bitingly satirical novel about race and the workplace * Independent * Comparisons to Raven Leilani's Luster wouldn't be unfounded, but prepare for this novel to veer in an unexpected direction it's part-psychological thriller, part-satire, part social-takedown * Irish Times * Packed full of shrewd observations on power struggles and strength, this is unputdownable * Cosmopolitan UK * I loved it! This is one of the cleverest books I've read for years . . . The subtlety of Nella's character is incredible . . . so brilliantly fine-tuned. I fully expect to see this book sweeping all the prize lists -- Natasha Pulley Both a captivating thriller and a smart look at race, power and office politics * i * The funniest, wildest, deepest, most thought-provoking ride of a book -- Attica Locke Ideal for anyone who has ever felt manipulated, threatened, or dismissed in the workplace * Fortune * Witty, inventive and smart . . . A brilliant combustion of suspense, horror and social commentary that leaves no assumption unchallenged and no page unturned -- Walter Mosley