The Origins of Kant's Aesthetics

Robert R. Clewis (Gwynedd Mercy University, Pennsylvania)

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English

Cambridge University Press
12 September 2024

Western philosophy: Enlightenment; Philosophy: aesthetics; Ethics & moral philosophy

Organized around eight themes central to aesthetic theory today, this book examines the sources and development of Kant's aesthetics by mining his publications, correspondence, handwritten notes, and university lectures. Each chapter explores one of eight themes: aesthetic judgment and normativity, formal beauty, partly conceptual beauty, artistic creativity or genius, the fine arts, the sublime, ugliness and disgust, and humor. Robert R. Clewis considers how Kant's thought was shaped by authors such as Christian Wolff, Alexander Baumgarten, Georg Meier, Moses Mendelssohn, Johann Sulzer, Johann Herder, Francis Hutcheson, David Hume, Edmund Burke, Henry Home, Charles Batteux, Jean-Jacques Rousseau, and Voltaire. His resulting study uncovers and illuminates the complex development of Kant's aesthetic theory and will be useful to advanced students and scholars in fields across the humanities and studies of the arts.

By: Robert R. Clewis (Gwynedd Mercy University Pennsylvania)
Imprint: Cambridge University Press
Country of Publication: United Kingdom
ISBN: 9781009209434
ISBN 10: 1009209434
Pages: 279
Publication Date: 12 September 2024
Audience: College/higher education , Further / Higher Education
Format: Paperback
Publisher's Status: Forthcoming

Introduction; Part I. Aesthetic Judgment and Beauty: 1. On Rules of Taste; 2. Beauty Free; 3. Beauty Grounded; Part II. Genius and the Fine Arts: 4. Genius, Thick and Thin; 5. Classifying the Fine Arts; Part III. Negative and Positive States: 6. Meet the Sublime Now: It's a Negative Pleasure; 7. Ugliness and Disgust: Disagreeable Sensations; 8 Playing with Humor; Closing Reflections.

Robert R. Clewis is the author of The Kantian Sublime and the Revelation of Freedom (Cambridge University Press, 2009) and Kant's Humorous Writings: An Illustrated Guide (2020), and the editor of Reading Kant's Lectures (2015) and The Sublime Reader (2019).

Reviews for The Origins of Kant's Aesthetics

'… a dense history of aesthetics and a close reading of Kant's philosophy at the same time - which makes it interesting to scholars who are quite familiar with Kant's predecessors and contemporaries as well as with the work of scholars who specialise on Kant. However, it might prove to be a compass to young scholars as well who are beginning to navigate Kant's philosophy. … Clewis's monograph needs to be read for its innovative practice of turning a work of art theory into a text in itself that needs to be supplemented with a number of other sources rather than being taken for granted.' Soni Wadhwa, Journal of Comparative Literature and Aesthetics