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The Making of Beaubourg

A Building Biography of the Centre Pompidou, Paris

Nathan Silver

$79.99

Paperback

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English
Headline
24 February 1997
"This is the story of how France's famed cultural icon, one of the most controversial and supremely public buildings of the century, was designed and built. Nathan Silver's detailed account of the Centre Pompidou -- still called Beaubourg by its designers, and by Parisians -- takes the form of a fascinating and insightful ""building biography."" Not just a book about a building but about the making of a building, this fresh, heterodox means of inquiry is a holistic reading of the intricate process of creating architecture in contemporary society that brings to light its human story, encompassing its stylistic, historical, technical, and social aspects. Beaubourg, Silver reveals, was unlike anything that had ever been built. A realization of ideals and aspirations of it architectural generation, a rethinking of fundamental precepts of design and construction, it took nothing for granted, and it has since become one of the most popular tourist attractions in Europe -- flaunting new principles that other architects have to come to terms with."
By:  
Imprint:   Headline
Country of Publication:   United States
Edition:   New edition
Dimensions:   Height: 239mm,  Width: 173mm,  Spine: 13mm
Weight:   499g
ISBN:   9780262691970
ISBN 10:   0262691973
Series:   The Making of Beaubourg
Pages:   220
Publication Date:  
Recommended Age:   From 18 years
Audience:   College/higher education ,  Professional and scholarly ,  Professional & Vocational ,  A / AS level ,  Further / Higher Education
Format:   Paperback
Publisher's Status:   Active

Reviews for The Making of Beaubourg: A Building Biography of the Centre Pompidou, Paris

Detailed yet riveting--a well-researched, well-written,lively investigation of the creation of one of the mostimportant cultural artifacts of this century. SilverAdheres to a place and readable style that should enlightenthe general reader as well as the professional one. Suzanne Stephens, architecture critic and editor of OCULUS


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