Katya Balen studied English at university. Since then she's worked in lots of special schools and is now co-director of Mainspring Arts, which runs creative workshops for neurodivergent people. When she's not writing books or planning projects, she likes to scroll through dog-rescue websites, bake and attempt to keep all her house plants alive. She lives in London with her partner and her ridiculously lazy dog, Raffi. Sydney Smith is a children's book illustrator. He lives in Canada with his wife and two sons. His picture books have won numerous awards, including the CILIP Kate Greenway Medal, which was awarded to Town Is By The Sea in 2018. THE LIGHT IN EVERYTHING is his first book with Bloomsbury.
Katya Balen's October, October is a very special new addition to the shelf and deserves classic status * Times Children's Book of the Week * Quite simply one of the most beautiful books I've ever read * Kiran Millwood Hargrave on OCTOBER, OCTOBER * October, October is fierce with a wild love. It draws you in to its heart, shakes you with a fury, wraps you in a spell of storytelling. In lyrical prose, Katya Balen gives us a modern day heroine filled with courage. I loved every page. * Jackie Morris * Wise and bright - I loved it. * Hilary McKay on OCTOBER, OCTOBER * One of the most beautiful children's books I've ever read * Natasha Farrant on October, October * I've also just been introduced to the first two stunning children's books by Katya Balen, both published by Bloomsbury: The Space We're In and October, October. If you have a middle-grader, or know one, or are one ... treat yourself -- Daniel Hahn * Books of the Year, The Spectator * A tear-jerker about family that shows us things that are important and true, and promotes compassion -- Nicolette Jones * The Sunday Times, Children's Book of the Week * This sensitive, heartbreaking story boasts a wonderful narrative voice and secret codes that add another layer of intrigue * Guardian on THE SPACE WE'RE IN * Now and then, and only now and then, a book changes us. The Space We're In does that. It's ferocious and it's visionary. * Kevin Crossley-Holland *