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The Last of Us and Theology

Violence, Ethics, Redemption?

Peter Admirand Peter Admirand Ryan Banfi Adam B. Banks

$189

Hardback

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English
Lexington Books/Fortress Academic
15 June 2024
With a catastrophic fungal pandemic, the post-apocalypse, a moral quest despite societal breakdowns, humans hunting humans or morphed into grotesque infected, The Last of Us video games and HBO series have exhilarated, frightened, and broken the hearts of millions of gamers and viewers. The Last of Us and Theology: Violence, Ethics, Redemption? is a richly diverse and probing edited volume featuring essays from academics across the world to examine theological and ethical themes from The Last of Us universe. Divided into three groupings—Violence, Ethics, and Redemption?—these chapters will especially appeal to The Last of Us fans and those interested in Theology and Pop Culture more broadly. Chapters not only grapple with theologians, ethicists, and novelists like Cormac McCarthy, Fyodor Dostoevsky, Martin Buber, and Paul Tillich; and theological issues from forgiveness and theodicy to soteriology and eschatology; but will help readers become experts on all things fireflies, clickers, Cordyceps, and Seraphites. “Save who you can save” and “Look for the Light.”
Contributions by:   , , ,
Edited by:  
Imprint:   Lexington Books/Fortress Academic
Country of Publication:   United States
Dimensions:   Height: 237mm,  Width: 160mm,  Spine: 20mm
Weight:   531g
ISBN:   9781978716353
ISBN 10:   1978716354
Series:   Theology, Religion, and Pop Culture
Pages:   250
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Active

Peter Admirand is associate professor of theology, a Deputy Head of School, and Director of the Centre for Interreligious Dialogue at Dublin City University.

Reviews for The Last of Us and Theology: Violence, Ethics, Redemption?

"Even those of us less familiar with The Last of Us can appreciate the contribution this anthology makes to the study of theology in and through popular culture. It compiles a group of authors diverse in background and approach who fearlessly navigate the grim moral dystopia of The Last of Us with pressing questions for our own world, and who then raise important and incisive implications for the demands of ethics and the possibilities for redemption. --Matthew Ichihashi Potts, Harvard University In a world where the borders between film, television, video games and pop culture are as porous as ever, it becomes imperative to unpack the deep resonances we find between culture and theology, especially where they are highly relevant and profoundly appealing. This bountiful collection of essays assembled by Peter Admirand on the phenomenon of The Last of Us captured my attention as fully as the way my son is swept away for hours by video games. --Colby Dickinson, Loyola University Chicago It is hard to write a book about theology and ethics in relation to a video game/TV series/cultural phenomenon that is played and experienced by millions of people. Academic books like to ""tie it all together."" Narrative video games and narrative television tend to diffusion, shifting and spreading like fungal infections into each person's life and story. The Last of Us: Violence, Ethics, Redemption? manages to open up our interpretations instead of shutting them down. In so doing, these chapters remind us that our best theologizing and moral reasoning always happens in relation to the stories that absorb us most. --Kathryn Reklis, Fordham University Peter Admirand has organized a wonderful volume and a worthy addition to the Theology, Religion and Pop Culture Series. It covers important themes in The Last of Us, like hope, faith, meaning, love, and redemption. The essays are thoughtful and well-written, drawing on thinkers like Dostoyevsky, Buber, Levinas, Foucault, and Tillich to help the reader make sense of the philosophical and religious themes prevalent in the video games and HBO series. Fans of the source material will most certainly walk away with a deeper appreciation of the theological themes in Naughty Dog's work. --Charles Joshua Horn, University of Wisconsin, Stevens Point and editor of The Last of Us and Philosophy: Look for the Light Even those of us less familiar with The Last of Us can appreciate the contribution this anthology makes to the study of theology in and through popular culture. It compiles a group of authors diverse in background and approach who fearlessly navigate the grim moral dystopia of The Last of Us with pressing questions for our own world, and who then raise important and incisive implications for the demands of ethics and the possibilities for redemption. In a world where the borders between film, television, video games and pop culture are as porous as ever, it becomes imperative to unpack the deep resonances we find between culture and theology, especially where they are highly relevant and profoundly appealing. This bountiful collection of essays assembled by Peter Admirand on the phenomenon of The Last of Us captured my attention as fully as the way my son is swept away for hours by video games. It is hard to write a book about theology and ethics in relation to a video game/TV series/cultural phenomenon that is played and experienced by millions of people. Academic books like to ""tie it all together."" Narrative video games and narrative television tend to diffusion, shifting and spreading like fungal infections into each person's life and story. The Last of Us: Violence, Ethics, Redemption? manages to open up our interpretations instead of shutting them down. In so doing, these chapters remind us that our best theologizing and moral reasoning always happens in relation to the stories that absorb us most. Peter Admirand has organized a wonderful volume and a worthy addition to the Theology, Religion and Pop Culture Series. It covers important themes in The Last of Us, like hope, faith, meaning, love, and redemption. The essays are thoughtful and well-written, drawing on thinkers like Dostoyevsky, Buber, Levinas, Foucault, and Tillich to help the reader make sense of the philosophical and religious themes prevalent in the video games and HBO series. Fans of the source material will most certainly walk away with a deeper appreciation of the theological themes in Naughty Dog's work."


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