Laila Lalami is the author of five books, including The Moor's Account, which won the American Book Award, Arab American Book Award and Hurston/Wright Legacy Award. It was on the longlist for the Booker Prize and was a finalist for the Pulitzer Prize in Fiction. Her essays appear regularly in the Los Angeles Times, Washington Post, Nation, Harper’s, Guardian and New York Times. She has been awarded fellowships from the British Council, the Fulbright Program, the Guggenheim Foundation and the Radcliffe Institute at Harvard University. She lives in Los Angeles.
The Dream Hotel offers a stark vision of the future – in which America is a surveillance state, ruled by the intertwined forces of capital and government, powered by an all-too-fallible algorithm that determines criminality based on citizen’s dreams. That’s plainly a metaphor for extant practices of social control, but Laila Lalami’s extraordinary new novel is more than just a political warning; the book is an exploration of the psyche itself, the strange ungovernable forces of fate and emotion that make us human -- Rumaan Alam, bestselling author of LEAVE THE WORLD BEHIND A gripping, Kafkaesque foray into an all-too-plausible future where data collection penetrates interior life, The Dream Hotel is also an elegant meditation on identity, motherhood, and what we sacrifice, unthinkingly, for the sake of convenience -- Jennifer Egan, Pulitzer Prize-winning author of THE CANDY HOUSE I was utterly gripped, caught up, as if I was living the same nightmare as Sara. It felt terrifyingly and convincingly close -- Esther Freud A terrifying, thought-provoking and timely exploration of the inevitable march of algorithms and data-harvesting into our innermost lives. The Dream Hotel offers not only a real-feeling diorama of an extensively-surveilled prison population, but a masterclass in the art of cortisol-raising - to be filed alongside The Trial and The School for Good Mothers -- Jo Harkin Stellar ... There are echoes of The Handmaid’s Tale here – as Margaret Atwood does in that book, Lalami builds a convincing near-future dystopia out of current events ... But Lalami’s scenario is unique and well-imagined – interspersed report sheets, transcripts, and terms-of-service lingo have a realistic, poignant lyricism that exposes the cruel bureaucracy in which Sara is trapped ... And the story exposes the particular perniciousness of big tech’s capacity to exploit our every movement, indeed practically every thought ... Striking ... An engrossing and troubling dystopian tale * Kirkus *