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English
University of Illinois Press
15 October 2006
A uniquely personal record of a great artist’s experience of mental illness

In his prime, Vaslav Nijinsky (1889-1950) was the most celebrated man in Western ballet--a virtuoso and a dramatic dancer such as European and American audiences had never seen before. After his triumphs in such works as The Specter of the Rose and Petrouchka, he set out to make ballets of his own, and with his Afternoon of a Faun and The Rite of Spring, created within a year of each other, he became ballet’s first modernist choreographer. 

For six weeks in early 1919, as his tie to reality was giving way, Nijinsky kept a diary--the only sustained daily record we have, by a major artist, of the experience of entering psychosis. In some entries he is filled with hope. He is God; he will save the world. In other entries, he falls into a black despair. He is dogged by sexual obsessions and grief over World War I. Furthermore, he is afraid that he is going insane.

The diary was first published in 1936, in a version heavily bowdlerized by Nijinsky’s wife. The new edition, translated by Kyril FitzLyon, is the first complete and accurate English rendering of this searing document. In her introduction, noted dance critic Joan Acocella tells Nijinsky’s story and places it in the context of early European modernism.
By:  
Introduction by:  
Edited by:  
Translated by:  
Imprint:   University of Illinois Press
Country of Publication:   United States
Dimensions:   Height: 216mm,  Width: 133mm,  Spine: 25mm
Weight:   367g
ISBN:   9780252073625
ISBN 10:   0252073622
Pages:   384
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Joan Acocella is the dance critic for The New Yorker. She is the author of Mark Morris and Creating Hysteria: Women and Multiple Personality Disorder.

Reviews for The Diary of Vaslav Nijinsky

A richly literate and annotated translation ... Acocella is a masterful midwife to this extraordinary tale. Janice Ross, Los Angeles Times Book Review This moving document ... begs fresh interpretations of [Nijinsky's] life, artistry, ideas and psychological history. Daniel Gesmer, The New York Times


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