Collecting in full for the first time the correspondence between Ezra Pound and members of Leo Frobenius' Forschungsinstitut für Kulturmorphologie in Frankfurt across a 30 year period, this book sheds new light on an important but previously unexplored influence on Pound's controversial intellectual development in the Fascist era.
Ezra Pound's long-term interest in anthropology and ethnography exerted a profound influence on early 20th century literary Modernism. These letters reveal the extent of the influence of Frobenius' concept of
'Paideuma' on Pound's poetic and political writings during this period and his growing engagement with the culture of Nazi Germany.
Annotated throughout, the letters are supported by contextualising essays by leading Modernist scholars as well as relevant contemporary published articles by Pound himself and his leading correspondent at the Institute, the American Douglas C. Fox.
List of Figures Acknowledgments Abbreviations Introduction: The Correspondence of Ezra Pound and the Frobenius Institute, 1930–1959 : Erik Tonning The Correspondence of Ezra Pound and the Frobenius Institute, 1930–1959 Commentary 1 Between Opportunity and Oppression: Leo Frobenius and His Institute during the Third Reich: Richard Kuba 2 “European Paideuma”: Ezra Pound’s Mediterranean Modernism: Erik Tonning 3 Pound, Spengler, and Frobenius: Toward a NEW Paideuma: Ronald Bush 4 Out of von Humboldt: Science, Aesthetics, and Obscurity in The Cantos: Kenneth Haynes Append ix 1 Ezra Pound : Three Articles on Frobenius Appendix 2 Douglas C. Fox: Two Articles on Frobenius Glossary Bibliography
Erik Tonning is Professor of English at NLA University College, Norway, and Professor II of British Literature and Culture at the University of Bergen, Norway. He is co-editor of the Modernist Archives series and the Historicizing Modernism series, both published by Bloomsbury. He is the author of Samuel Beckett’s Abstract Drama and Modernism and Christianity, as well as the editor of a number of volumes on modernism.
