Michele D. Marincola is Sherman Fairchild Chairman and Professor of Conservation, Conservation Center, Institute of Fine Arts, New York University. She has published widely in professional journals and is the editor of 'Polychrome Sculpture: Meaning, Form, Conservation' (Getty Publications, 2015). Lucretia Kargere is senior conservator for The Cloisters, Metropolitan Museum of Art, New York. She has published widely in professional journals.
A comprehensive, profound survey of various important aspects of sculpture preservation, including materials, carving and painting techniques, methods of examination, documentation, conservation, and restoration. Abundant illustrations feature many remarkable objects in American collections. The book concludes with several informative case studies. An absolute must-have. --Michael Rief, conservator, head of collections and deputy director of the Suermondt-Ludwig-Museum Aachen Impressively researched, elegantly written by two experts in the field, and accessible to a wide audience, this book on European medieval and Renaissance polychrome wood sculpture makes an important methodological contribution to art history and studies of materiality. It brings together the history of technical analysis, conservation, and maintenance with an overview of materials and techniques, display, and rituals of use to convincingly demonstrate how the present appearance of a wooden sculpture cannot be divorced from its history over time. Alongside Taubert's Farbige Skulpturen (1978), this will become a classic study of polychrome wooden sculpture. --Christina Neilson, Associate Professor of Renaissance and Baroque Art History, Oberlin College Drawing from decades working with medieval polychrome sculpture at The Cloisters, one of the world's foremost collections, Michele Marincola and Lucretia Kargere map out the physical structure of these objects, describe how their appearance has changed over time, and review treatment options available to conservators. In a remarkably frank tone, they elucidate the ethical underpinnings of the myriad choices made during a restoration. A compendium of knowledge and wisdom, this book will for decades be the reference work for those responsible for the care of these magnificent works of art. It is also a must-read for anyone else interested in these sculptures and their history. --Prof. Julien Chapuis, Deputy Director, Gemaldegalerie, Skulpturensammlung und Museum fur Byzantinische Kunst, Staatliche Museen zu Berlin