Before becoming a writer, Caroline Davison worked as a conservationist in the heritage sector for thirty years. Her publications include a novel, The Pleasure Garden, and a number of non-fiction essays. Caroline also writes and performs music and has been a singer in various bands and choirs since the age of seventeen. She lives and works in Norfolk.
This is a hugely intriguing, sensitively woven and at times unexpectedly moving book. What begins as an investigation into one English folk song and one twentieth-century English composer's interaction with it spirals outwards into a galaxy of related tales, discoveries, insights and surprises. It is written from the heart, an elegy to lost landscapes, to nearly forgotten communities and their cultural legacies, relived and newly honoured in the pages of this thoroughly absorbing book -- Howard Goodall, author of THE STORY OF MUSIC A sadistic murder and the staggering words of a song drive Davison's obsession to unravel this vivid story of lives, landscapes and musical inspiration. No stone is left unturned in the meticulous gathering. Her gift is a work of love and infinite care -- Keggie Carew, Costa Award-winning author of DADLAND I thoroughly enjoyed this book, and its weaving of biography, social history and folk song -- Steve Roud, author of FOLK SONG IN ENGLAND Davison's evocative, far from linear approach does great service to the composer [Vaughan Williams]' * Literary Review *