This specially commissioned collection of thirteen essays explores the life and works of Hildegard of Bingen (1098-1179), monastic founder, leader of a community of nuns, composer, active correspondent, and writer of religious visions, theological treatises, sermons, and scientific and medical texts. Aimed at advanced university students and new Hildegard researchers, the essays provide a broad context for Hildegard's life and monastic setting, and offer comprehensive discussions on each of the main areas of her output. Engagingly written by experts in medieval history, theology, German literature, musicology, and the history of medicine, the essays are grounded in Hildegard's twelfth-century context, and investigate her output within its monastic and liturgical environments, her reputation during and after her life, and the materiality of the transmission of her works, considering aspects of manuscript layout, illumination, and scribal practices at her Rupertsberg monastery.
Edited by:
Jennifer Bain (Dalhousie University Nova Scotia)
Imprint: Cambridge University Press
Country of Publication: United Kingdom
Edition: New edition
Dimensions:
Height: 230mm,
Width: 152mm,
Spine: 19mm
Weight: 520g
ISBN: 9781108457811
ISBN 10: 1108457819
Series: Cambridge Companions to Literature
Pages: 320
Publication Date: 04 November 2021
Audience:
General/trade
,
ELT Advanced
Format: Paperback
Publisher's Status: Active
Introduction to the Cambridge Companion to Hildegard of Bingen Jennifer Bain; Part I. Life and Monastic Context: 1. The life of Hildegard of Bingen (1098-1179) Michael Embach; 2. Living and working in a twelfth-century women's monastic community Alison Beach; 3. Literacy and learning in the lives of women religious of medieval Germany Lori Kruckenberg; Part II. Writings and Reputation: 4. Hildegard of Bingen's theology James Ginther; 5. Reading Hildegard of Bingen's letters Christopher Fletcher; 6. Hildegard of Bingen and the patriarchs, preaching greenness Peter Loewen; 7. Hildegard of Bingen: Illness and healing Faith Wallis; 8. The Pentachronon and Hildegard of Bingen's reputation as prophet Magda Hayton; 9. The context and reception of Hildegard of Bingen's visions Wendy Love Anderson; Part III. Music, Manuscripts, Illuminations and Scribes: 10. Music, liturgy and intertextuality in Hildegard of Bingen's chant repertory Jennifer Bain; 11. The Ordo virtutum and Benedictine monasticism Alison Altstatt; 12. Picturing Hildegard of Bingen's sight: Illuminating her visions Nathaniel Campbell; 13. Hildegard of Bingen and her scribes Margot Fassler.
Jennifer Bain is Professor of Music at Dalhousie University, Nova Scotia. She is author of Hildegard of Bingen and Musical Reception: the Modern Revival of a Medieval Composer (Cambridge University Press, 2015), and has published extensively on chant manuscripts, digital tools for chant research, reception history, and on the music of Guillaume de Machaut and Hildegard of Bingen.
Reviews for The Cambridge Companion to Hildegard of Bingen
'Cambridge Press has added Hildegard of Bingen to its prestigious collection of Cambridge Companion editions of essays. As the title promises, this is a valuable companion for anyone studying the far-ranging works of this medieval genius. … Covering so many dimensions of the life and work of Hildegard, this book is definitely a worthy companion for anyone wanting to journey into Hildegard's world.' Judith Sutera, OSB, Magistra '… this book would be an excellent resource for graduate students and scholars who want to go beyond the classical studies of Hildegard at an affordable price. In particular, this compilation's rich bibliography and further reading, including internet resources, will be greatly helpful to students and researchers who want to try different methods to research Hildegard of Bingen or any female saints in medieval Europe.' Minji Lee, Journal of Medieval Religious Cultures '… all the chapters are well researched and well written and serve the purpose announced by the editor. There are enough references to secondary literature that the reader can pursue the literature on any of the subjects treated. One of the strengths of the volume is the way it never loses sight of Hildegard the Benedictine.' Hugh Feiss, American Benedictine Review
