The Body in Jean-Luc Godard's New Wave Films

Francesca Minnie Hardy

$105

Hardback

Not in-store but you can order this
How long will it take?

Availability Information

We source books from suppliers in Australia and overseas. For books we don't currently have in stock, the time it takes to get them from our suppliers can vary widely - from a few days to a few months - so we check each book with each supplier to determine the expected time it will take to be supplied to us.

We then advise you accordingly. If the time taken to get any book is too long for you, you can let us know and we will cancel or adjust your order, and refund as required.

To find out the anticipated arrival time for specific items prior to ordering, please contact us by phone or email:

Phone +61 2 9264 3111, or 1800 4 BOOKS (1800 4 26657) if outside Sydney:
option 1 Abbey's Bookshop (Crime, History, Science, Kids & more) • info@abbeys.com.au
option 2 Language Book Centre (ESL & Foreign Languages) • language@abbeys.com.au
option 3 Galaxy Bookshop (Sci-fi, Fantasy, Romance, Graphic Novels) • sf@galaxybooks.com.au

QTY:

English

Routledge
30 October 2023

Humanities; Cultural studies; Media studies

Series: Routledge Focus on Film Studies

This original study examines the representation of the body in French New Wave films through discussion of a series of films by Jean-Luc Godard, perhaps the central figure of the French New Wave.

Through analysis of À bout de souffle, Une femme est une femme, Le Mépris and Alphaville, alongside discussion of some of Godard’s lesser-known French New Wave films, the book explores the interrelation between bodies, books and bathrooms that they facilitate. In so doing, it aims to destabilise the French New Wave’s myth of male exceptionalism and denaturalise the gender dynamic most commonly viewed at its heart, revealing that the women who make up a fundamental part of its fabric are not textually trapped by Godard’s authorial presence. Instead, their corporeality disrupts any purported authorial and national ownership of their bodies.

Given the enduring popularity and visibility of the French New Wave, and of Jean-Luc Godard, in universities and journals, The Body in Jean-Luc Godard’s New Wave Films will appeal to scholars in the disciplines of French and film studies, as well as to undergraduate and postgraduate students of these disciplines.

By: Francesca Minnie Hardy
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions: Height: 216mm, Width: 138mm,
Weight: 380g
ISBN: 9781032232034
ISBN 10: 103223203X
Series: Routledge Focus on Film Studies
Pages: 82
Publication Date: 30 October 2023
Audience: College/higher education , Primary
Format: Hardback
Publisher's Status: Active

1. Introduction 2. The art cinema body in theory 3. Lingering in the men’s room 4. Of aliens and alter egos 5. Of bathroom sinks and the streets below 6. Of wigs and fig leaves 7. Of totalitarianism and toilet doors 8. Conclusion

Francesca Minnie Hardy is Senior Lecturer in Film and Television at Nottingham Trent University. Her research explores the body’s relationship to cinema, both on- and off-screen. Her first monograph, titled Vital Resonances: Encountering film with Varda, Haneke and Nancy, was published in 2021 by Edinburgh University Press.