This book sheds new light on the under-researched period of early British cinema through an in-depth history of the British and Colonial Kinematograph Company – also known as ‘B&C’– in the years 1908-1916, the period when it became one of Britain’s leading film producers. It provides an account of its films and personalities, and explores its production methods, business practices and policy changes.
Gerry Turvey examines the range of short film genres B&C manufactured, including newsworthy topicals and comics, and series dramas, and how they often drew on the resources of urban Britain’s existing popular culture – from cheap reading matter to East End melodramas. He discusses B&C’s first open-air studio in East Finchley, its extensive use of location filming, and its large, state-of-the-art studio at Walthamstow. He also investigates how the films were photographed and ‘staged’, their developing formal properties, and how the choice of genres shifted radically over time in an attempt to seek new audiences.
By:
Gerry Turvey
Imprint: University of Exeter Press
Country of Publication: United Kingdom
Dimensions:
Height: 234mm,
Width: 156mm,
ISBN: 9781905816644
ISBN 10: 1905816642
Series: Exeter Studies in Film History
Pages: 320
Publication Date: 31 May 2021
Audience:
Professional and scholarly
,
Undergraduate
Format: Hardback
Publisher's Status: Active
List of Figures List of Tables INTRODUCTION Rediscovering British and Colonial PART I: BRITISH AND COLONIAL—A COMPANY HISTORY, 1908–1918 The Bloomfield Years: Period One at B&C, 1908–1912 McDowell in Charge: Period Two at B&C, 1913–1918 PART II: PLANT, STUDIOS AND THE PRODUCTION PROCESS Making Films at East Finchley and on Location, 1911–1914 The Endell Street Plant and the Walthamstow Studio, 1913–1917 PART III: PERSONALITIES AND THEIR BIOGRAPHIES On Screen: Performers and Picture-Personalities Behind the Screen: Policy-Makers, Directors and Writers PART IV: THE B&C FILM Comics, Dramas and Series Films: The B&C Film in Period One Spectacle, Sensation and Narrative: The B&C Film in Period Two PART V: DISTRIBUTION, PROMOTION AND PUBLICITY From the Open Market to the Exclusives System Promoting B&C and its Films CONCLUSION Godal, Aspiration and Bankruptcy: Period Three at B&C, 1918–1924 Notes Bibliography Index
Gerry Turvey has been involved in film education since the 1960s, including a Principal Lectureship in Film Studies at Kingston University, and a long association with the Phoenix Cinema Trust in North London. He continues to research early film.
Reviews for The B&C Kinematograph Company and British Cinema: Early-Twentieth Century Spectacle and Melodrama
Turvey's latest book is an expertly piloted powerhouse-on-wheels that fairly rattles through story after story from cinema's formative years. Along the way it rampages through such territories as class-specific cultural tradition, film industry business practice, media evolution, film technology, creative roles, genre, publicity and film form. It applies and tests scholarly models, overturns received wisdom, positively fountains evidence (both previously unknown and previously under-used) and identifies patterns galore; its passage leaves the ground of early cinema history yet more fertile. -- Dr Andrew Shail, Senior Lecturer in Film, Newcastle University
