Caroline Fowler is associate director of research and academic programs at the Clark Art Institute.
Beautifully argued and illustrated, wide-ranging, and fast-paced, this engaging book prompts us to reconsider paper as a valuable, surprisingly eloquent commodity. -Eileen Reeves, Princeton University This book is highly original, and Fowler's scholarship is exemplary. It orients the study of Renaissance drawings and artistic practice in a new direction, away from concerns of connoisseurship and authenticity to broader cultural issues. -Jean Cadogan, Trinity College