In this book, David Walton explores European comic-book biker publications as a subgenre of popular culture. Using a multidisciplinary approach, he reveals an intricate amalgam of ingenuity, irony, and highly ambiguous humor. The creative resourcefulness of the comic-book biker authors is seen to dramatize and celebrate the material existence of motorcycles and lifestyles while laughing at the foibles, inconsistencies, manias, fantasies, and practices of those characterised as motorized flâneurs. At the core of Walton’s analysis is the exploration of identity formation, marked by tensions between individualism and collective affinities, undermined by egoism and competitiveness.
At the same time, Walton argues that the storylines (despite much comic invention, caricature, and exaggeration) create resonances which hold up a distorted but highly revealing mirror to the multiple subgroups of people who ride motorcycles for pleasure. The author also demonstrates how the implied biker-readers of this subgenre confront comic representations of themselves which repeatedly undermine any positive self-image they may possess. Yet the comics are also seen to offer valuable insights into much broader cultural concerns ranging from subculture, consumption habits, (in)authenticity, taste, freedom, risk, and delinquency – without forgetting other key aspects of cultural studies like class, race and ethnicity, gender, sexuality, and ecocriticism.
By:
David Walton
Imprint: Lexington Books/Fortress Academic
Country of Publication: United States
Dimensions:
Height: 236mm,
Width: 161mm,
Spine: 21mm
Weight: 522g
ISBN: 9781666965360
ISBN 10: 1666965367
Pages: 216
Publication Date: 20 August 2024
Audience:
Professional and scholarly
,
Undergraduate
Format: Hardback
Publisher's Status: Active
Chapter 1 Comic Rides and Cultural Turns: Motorcycle Culture in Comic Panels Chapter 2 Mobile Identities: Performing the (Comic-book) Biker Self Chapter 3 Riding the Edge: Speed, Risk, and Governance Chapter 4 Comic-Book Class, Identity, Masculinity and Taste Chapter 5 Race, Ethnicity and Gender: The Ubiquity of Caricature Chapter 6 Comic-Book Biker Paradise, or Conservationist Hell? An Ecocritical View Chapter 7 Conclusions: Unravelling Motorcycle Culture Through Comic-Book Bikers
David Walton is senior lecturer and coordinator of cultural studies at the University of Murcia.
Reviews for The Ambiguities of European Comic-book Bikers: Navigating the Twists and Turns
"""This is a first-of-its-kind, comprehensive study of long-running European cartoon series about motorcyclists, including Ogri and Joe Bar Team. Walton unpacks the comics for audiences unfamiliar with the series (and potentially their languages), mapping how they engage with motorcycles, motorcyclists, and motorcycling. Touching on topics from 'laddism' to 'ecocriticism', the book delves beneath the comics’ surface humor. With impressive critical rigor, Walton proves that 'comic-book bikers' merit serious consideration for they participate directly in wider cultural discussions about class, gender, race, ethnicity, identity, sexuality, and the environment—and challenge stereotypical pop-culture images of bikers as outlaws. -- Steven E. Alford and Suzanne Ferriss, authors of Motorcycle and An Alternative History of Bicycles and Motorcycles"
