Surrealism and Film After 1945

‘In this major contribution to the burgeoning canon of interdisciplinary critical work in surrealism studies, Noheden and Susik have gathered together exciting new essays by leading scholars in the field, offering detailed historical and theoretical analyses of key films and directors which will wholly recalibrate our understanding of post-war developments in surrealism and its cinematic expressions.’ Patricia Allmer, author of Lee Miller: Photography, Surrealism, and Beyond ‘The marvellous essays in Noheden and Susik’s Surrealism and film after 1945 make a compelling case for post-1945 as truly the movement’s “age of cinema” and a golden one at that. Sharpening our understanding of surrealist engagements with cinema and cinematic engagements with surrealism while inviting us to go expansively beyond the commonly understood historic and geographic boundaries, the essays in this collection provide a wondrous set of “enchanted wanderings” through postwar cinema, film culture and aesthetics. I am equally excited by what this collection accomplishes – in terms of a richer sense of the place(s) of surrealism in cinema’s modern era and its global nature – as I am by the new inquiries and itineraries it will surely inspire.’ James Leo Cahill, author of Zoological Surrealism: The Nonhuman Cinema of Jean Painlevé -- .