Strong Songs of the Dead

The Pagan Rites of Sacred Harp

Th Metzger

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Paperback

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English

Underworld Amusements
06 July 2024

Folk & traditional music; Autobiography: arts & entertainment; Memoirs

"Sacred Harp singing is a uniquely American synthesis: religion and release, the loud sound of olden times and the joy in the ever-present now, traditional practices that hold together hundreds of raw, raucous human voices. It's sometimes asked, ""Why does the Devil get all the best music?"" In this case, God (or as author Th. Metzger claims - the gods) gave to America a wild gift.

Birthed before the U.S. was a nation, ebbing and swelling across the centuries, Sacred Harp singing is not just a collection of old hymns, but a vibrant social phenomenon, drawing in singers from far beyond the church. Driven into rural backwaters, where it hung on during its lean decades, in the twenty-first century, it is experiencing a renaissance, after northerners ventured to get the taste and feel, not just the sound, that has survived in pockets in the Deep South. Free and democratic, this is music for amateurs in the truest sense, that is, for those compelled by love, rather than a desire for money or accolades. Underneath the thin veneer of piety, singers - both old and new - feel a powerful, insistent, heartbeat.

Strong Songs of the Dead is the tale of a journey, not a mere travelog, but venturing back into ancestral time, to that place called by some ""That Old Weird America."" Th. Metzger goes in with eyes and ears wide open. And he goes deep, in more than one case singing in the heart of the earth, as though to discover the secret subterranean well-springs of the sound. The living and the dead, the lost and the found, strangers and dear friends, join him on this journey.

A current of darkness runs through Sacred Harp singing; and neither does Strong Songs of the Dead shy away from grief, loss, and longing. Like the songs at the heart of the story, the chapters of Metzger's memoir are short, plentiful, and unrestrained, yet they all lead to themes of heartfelt living and holy dying. There is tragedy here, but through all that pulses a passionate vitality, an irrepressible cry for life."

By: Th Metzger
Imprint: Underworld Amusements
Dimensions: Height: 203mm, Width: 127mm, Spine: 13mm
Weight: 254g
ISBN: 9781943687336
ISBN 10: 1943687331
Pages: 232
Publication Date: 06 July 2024
Audience: General/trade , ELT Advanced
Format: Paperback
Publisher's Status: Active

"Called ""The Poet Laureate of the Burnt Over District,"" Th. Metzger is a writer and teacher who has sung Sacred Harp music for decades. He has chronicled the birth of Mormonism, the electric chair, heroin's early days, the Calico Indians, the ancestors of H. P. Lovecraft in Rochester, the Moorish Orthodox Church, and various renegade holy men who haunted his region. As Leander Watts, he published five young adult novels, all set in his imaginal - though no less real - landscape."

Reviews for Strong Songs of the Dead: The Pagan Rites of Sacred Harp

"""Thom's book is an authentic and emotional journey into shape note singing. He provides a realistic interpretation of a very personal and profound practice which reflects my own experience of this music. Thom has a writer's eye to pounce on the strongest lyrics which are powerful and full of meaning. I loved this book.""-Kelly Macklin, editor, Shenandoah Harmony ""An instant classic. Recalling Nick Tosches' Country and Dennis Covington's Salvation on Sand Mountain, Th. Metzger's immersive and confessionally textured study of marginalized American hymnody comes as near as words can to capturing the ungovernable spirit-essence of backwoods-protestant song and ritual.""-Chip Smith, publisher, Nine-Banded Books ""Metzger weaves the long past and the present with a gem-studded, coal choked narrative that tells the reader everything they need to know about who sang, who sung, who sings Sacred Harp, and what happens when they do, and why."" -Steven Sherrill, author of The Minotaur Takes a Cigarette Break ""Th. Metzger's Strong Songs of the Dead succeeds spectacularly in juxtaposing the fiercely living world of Sacred Harp singing with his parallel theme: ever-present death that resonates through lyrics, rural cemeteries, and the singers themselves.""-Christian Goodwillie, Director and Curator of Special Collections and Archives, Hamilton College"