Fiona Handyside is Senior Lecturer in European Film at the University of Exeter and received her PhD from Queen Mary, University of London. Previous publications include International Cinema and the Girl: Local Issues, Transnational Contexts (2015) and Cinema at the Shore: The Beach in French Cinema (2014) and her research has appeared in a number of journals such as Continuum: Journal of Media and Cultural Studies, European Journal of Cultural Studies, Studies in French Cinema and Screen.
In this book, Fiona Handyside does not shirk from tackling the thorny paradoxes in Coppola's canon but rather weaves these issues into an insightful analysis of her films as both feminine and feminist. Written in beautiful prose, Handyside argues that the glittering, gilded cages in Coppola's films show us the light and the dark of girlhood culture.--Lucy Bolton, Queen Mary, University of London; author of Film and Female Consciousness: Irigaray, Cinema and Thinking Women