New insights into the innovative multimedia work and early career of fourteenth-century Italian painter Simone Martini
Painter to popes, princes, and scions of Renaissance dynasties, Simone Martini (ca. 1284–1344) transformed Western painting with his groundbreaking devotional images and masterful manipulation of gold. This beautifully illustrated book highlights the astonishing novelty of his paintings in terms of their construction, multimedia techniques, and imagery. A focus of the book—the first on Simone Martini in English in over thirty years—is the work that he produced for churches in the Umbrian city of Orvieto, a papal refuge and stronghold of the Guelph political faction. The publication sheds light on Simone’s early career and technical accomplishments with extended catalogue entries for three Orvieto altarpieces and a painting of private devotion, including the results of new scientific analysis for the Gardner works. Leading scholars consider Simone’s patrons, artistic accomplishments, and contributions to the development of the polyptych altarpiece.
Contributions by:
Machtelt Bruggen Israels, Joanna Cannon, Christopher Etheridge, Stephen Gritt Edited by:
Nathaniel Silver Imprint: Yale University Press Country of Publication: United States Dimensions:
Height: 279mm,
Width: 222mm,
ISBN:9780300262247 ISBN 10: 0300262248 Pages: 240 Publication Date:16 November 2022 Audience:
General/trade
,
Professional and scholarly
,
ELT Advanced
,
Undergraduate
Format:Hardback Publisher's Status: Active
Nathaniel Silver is William and Lia Poorvu Curator of the Collection and Division Head at the Isabella Stewart Gardner Museum.