Shonen Knife’s Happy Hour

Food, Gender, Rock and Roll

Prof Brooke McCorkle Okazaki (Carleton College, USA)

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English

Bloomsbury Academic USA
08 April 2021

Music reviews & criticism; Music: styles & genres; Individual composers & musicians, bands & groups

Series: 33 1/3 Japan

Shonen Knife—an all-female punk trio from Osaka, Japan—cultivated a global fan base that has included the likes of Nirvana’s Kurt Cobain and Sonic Youth’s Thurston Moore. Their 1998 album Happy Hour, filled with tunes about delicacies ranging from sushi to banana chips, encapsulates the band’s charming fusion of cuteness with punk rock cool. Tracing histories of food and josei rock in Japan, McCorkle Okazaki outlines the ways Shonen Knife has, over the last forty years, consistently used seemingly straightforward songs about food to comment on gender stereotypes in popular culture.

By: Prof Brooke McCorkle Okazaki (Carleton College USA)
Imprint: Bloomsbury Academic USA
Country of Publication: United States
Dimensions: Height: 197mm, Width: 127mm,
Weight: 184g
ISBN: 9781501347948
ISBN 10: 1501347942
Series: 33 1/3 Japan
Pages: 176
Publication Date: 08 April 2021
Audience: College/higher education , Professional and scholarly , Primary , Undergraduate
Format: Paperback
Publisher's Status: Active

Brooke McCorkle Okazaki is Assistant Professor of Music at Carleton College in Northfield, Minnesota, USA. McCorkle Okazaki co-authored the book Japan's Green Monsters: Environmental Commentary in Kaiju Cinema (2018) with Sean Rhoads. In it, they explore the various ways Japanese monster movies address contemporary ecological concerns. Thanks to a Japan Foundation Fellowship, McCorkle Okazaki is currently completing her next book, Searching for Wagner in Japan.