Screenprints

Victoria & Albert Museum

Gill Saunders

$69.99

Hardback

Forthcoming
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English

Thames & Hudson
01 April 2025

Art & Architecture; Prints & printmaking

A celebration of the rich 20th- and 21st-century tradition of screenprinting as a means of artistic expression, from its commercial origins in 1920s America to the limited-edition screenprints of the post-war period and today, by artists such as Andy Warhol, Bridget Riley and Damien Hirst.

Screenprints: A History, the first title in the V&A's new series on the history and practice of printmaking, is a celebration of the fine-art applications of this versatile medium, from the commercial origins of the screenprinting process in 1920s America, its pivotal role in 1960s Pop and Op Art among artists such as Andy Warhol and Bridget Riley, through to its adoption by Damien Hirst and the YBAs of the 1990s, and its enduring presence in contemporary art. This beautifully designed, strikingly illustrated introduction will appeal to art lovers and practising artists everywhere.

The origins of the screenprinting process are introduced through early artistic precursors, such as the stencil and pochoir printing in the making of Henri Matisse's Jazz, and other artists' books. Screenprinting became one of the most important techniques in the rise of artists' limited-edition fine art prints from the 1960s onwards, seen here in the work of notable figures such as Roy Lichtenstein and Eduardo Paolozzi, and contemporary artists such as Damien Hirst, who have variously engaged with the medium's commercial origins and, conversely, its capacity for a hand-made aesthetic.

Special focus is given to lesser-known names who pioneered the use of the screenprint in fine art in the UK, the USA and Europe, including Francis Carr and Ben Shahn, while tracing its global spread through Africa, the Caribbean and Australasia. An illustrated, step-by-step guide to the practical process further enriches this multifaceted account. The democratic medium has further lent itself to spontaneous graphic protest, notably in the Atelier Populaire posters made in Paris in 1968, featured here and embodying screenprinting's unique qualities, rich colours and graphic impact.

By: Gill Saunders
Imprint: Thames & Hudson
Country of Publication: United Kingdom
Dimensions: Height: 260mm, Width: 200mm,
ISBN: 9780500481011
ISBN 10: 0500481016
Pages: 272
Publication Date: 01 April 2025
Audience: General/trade , ELT Advanced
Format: Hardback
Publisher's Status: Forthcoming

Introduction • 1. Origins: Stencils and Pochoir • 2. Evolving a New Creative Medium: The Early Years • 3. The First Masterpieces: Pop Art in Print • 4. A Painter’s Vehicle: Screenprint’s Versatility • 5. The Ideal Medium: Op Art and Perceptions of Colour • 6. A Successful Pairing: Photography and the Screenprint • 7. From the Studio to the Street: Politics and Protest • 8. Shaping Spaces: Screenprints and Installation Art • 9. Looking Back / Looking Forward: Screenprints Since the 1990s

Gill Saunders is Honorary Senior Research Fellow in the Art, Architecture, Photography and Design Department at the Victoria and Albert Museum, London. She is the author of Edward Bawden's England (T&H/V&A, 2023) and co-author, with Margaret Timmers, of The Poster: A Visual History (T&H/V&A, 2020).