Harriet Baker has written for the London Review of Books, the Paris Review, the New Statesman, the TLS, Apollo and frieze. She read English at Oxford and holds a PhD from Queen Mary, University of London. In 2018, she was awarded the Biographers' Club Tony Lothian Prize. She lives in Bristol.
An outstanding piece of literary scholarship ... A biography that is far more intimate than most ... By choosing to embrace the daily routines of rural life, Baker proposes, these women found that the quality of their attention shifted ... Rural Hours is also a provocation to the present. No one could finish this book without concluding that the most important thing to any writer is solitude ... [It] reminds us that today we too often fail to afford our writers this necessity -- Charlotte Stroud * Financial Times * An absorbing study of the impact of country living on Woolf, Townsend Warner & Lehmann. A meditative exploration of renewal, visionariness—interior & exterior, generative & tormenting—grievous loss, & love—cool & passionate, fragile & enduring -- David Hayden A superb portrait of the complex imprint the countryside makes on the life of the mind, this exquisite book reveals three writers, each vividly drawn in the particularities of her own surroundings, her own difficulties and joys. This book is a thoughtful exploration of rural life and creativity, drawing on deep archival roots and Harriet Baker's unique warmth and eloquence. A treasure -- Doireann Ní Ghríofa, author of A Ghost in the Throat In this warm, perceptive, eloquent study, Harriet Baker collects some overlooked moments in these women’s lives, and with great honesty and empathy, captures what it felt like to live and write through them. Like Baker’s protagonists in their countryside boltholes I felt “socketed” by this book. I know I’ll return to it again and again -- Lauren Elkin, author of Flâneuse and Art Monsters Baker conjures the sights and sounds of mid-20th-century rural England with vivid lyricism * The Sunday Times * The country life, with its dogs and flowers and sunsets, its leaky roofs and depression and boredom, has been an essential part of so many artists' lives, but is often seen as a weekend escape -- a quiet footnote to the more exciting drama of urban striving. Harriet Baker places rural hours at the center of the lives of three great writers, and shows how their works were forged in places whose quiet façades masked inner struggles every bit as tumultuous as the lives of the cities they left -- Benjamin Moser, author of The Upside-Down World [A] group biography with a difference * FT - What to Read in 2024 * Amid the hubbub of Christmas, I found sanctuary in this Biographer’s Club Prize-winning account of how the country life profoundly influenced the work of three very different 20th century female authors: Virginia Woolf, Sylvia Townsend Warner, and Rosamond Lehmann -- Caroline Sanderson * The Bookseller * The transition from city to country life is a tale often told, but this absorbing and uplifting new iteration is of decided merit * House and Garden * A poignant portrait of three writers finding their own way -- Alice Albinia Rural Hours makes clear the connection between creativity and place. in this engrossing book, nature is nurture; a place of reverie and renewal that encouraged the rich imaginations of three pioneering writers to seed and bloom. Full of fresh insights and lively prose, I couldn't put it down -- Jennifer Higgie Amid the hubbub of Christmas, I found sanctuary in this Biographer’s Club Prize-winning account of how the country life profoundly influenced the work of three very different 20th century female authors: Virginia Woolf, Sylvia Townsend Warner, and Rosamond Lehmann -- Caroline Sanderson * The Bookseller *